The Strange World Of...
Yoko Ono
Features
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Hyperspecific
The Month's Electronic Music: A Sub-Zero Romance
Both July and August were all about sub-bass frequencies: thick, overwhelming pulses of v...
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A Quietus Interview
Rebel Basement: David Yow Interviewed
When I last saw David Yow on stage it was with a reformed Scratch Acid in 2012 and he was...
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Features
Coming Twice: Why Do Artists Feel Compelled To Reenact Past Events?
I'd been living in Paris no more than a couple of days when I noticed the poster advertis...
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Features
Bl'ast From The Past: Grohl & More Talk Hardcore Innovators
"I wasn't really familiar with them. I was at CBGBs in 1986. I remember watching them set...
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Features
I Fought The Nazis - And Now We've Voted Them In
Photo by D. Sinclair The Island is a funny place. People fall out with people, some group...
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Anniversary
20 Years On: KRS-One's Return Of The Boom Bap Revisited
Few artists have circumscribed the possibilities of their art more thoroughly and with su...
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Escape Velocity
Jumping The Shark: An Interview With Hjaltalín
Photo by Hörður Sveinsson It's June 2010 in a Reykjavik back street. Three members of Hja...
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Baker's Dozen
Choice Of An Angel: Charlotte Church's Favourite Albums
Charlotte Church is everything you think she's going to be. And nothing like it at all. ...
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Complete Communion
Complete Communion: A New Quietus Column Devoted To Jazz
There's a celebratory fever in the air. While The Quietus recently popped champagne (or r...
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Features
Can You Feel The Forceps: Carcass, Surgical Steel And Heartwork Revisited
‘Grave To The Grind’ might have been the death cry of Carcass, as resonant as ‘Birth. Sch...
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