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Velvet Goldmine
Features
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Tome On The Range
Fuel R 30: Inside The Design-Focused Independent Publisher
With publications that span criminal tattoos to elevator music, sweet wrappers to Soviet bus st...
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Craft/Work
Looking Backward From 2094: Nottingham Contemporary Imagines The Future
Urth by Ben Rivers It’s easy to get bored of Utopia. It seems every week another flashy digital...
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Reissue Of The Week
Reissue Of The Week: Redskins' Neither Washington Nor Moscow
What did the Left of 80s pop want? To persuade, or to overthrow? For Redskins, the soulpunk fi...
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Album Of The Week
It’s Raining Menace: Burial’s Antidawn
“Antidawn reduces Burial’s music to just the vapours,” is the main statement accompanying Buria...
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Features
New Weird Britain In Review For January By Noel Gardner
Mücha Speaking recently to an associate about my plans to start 2022’s series of New Weird Bri...
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A Quietus Interview
Over The Edge: An Interview With Sea Power
All photos by Hollywood Jan Scott Wilkinson and his brother Neil, co-frontmen of Sea Power, gre...
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Escape Velocity
Those First Impressions: Claire Rousay Interviewed
Portraits courtesy of Nicole Geller Picture the scene: a darkened stage in downtown Rotterdam....
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Low Culture
Low Culture Podcast 17: Natalie Sharp On Fun House
Twice in as many months, the "dynamic" duo of John Doran and Richard Foster have arrived in Utr...
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Low Culture
See In The New Year With 1/3 Off A Top Subscription To The Quietus
We're extending our 1/3 off the Sound & Vision subscription until January 1st, 2022. Need a...
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Low Culture
A History Of Grime In Three Objects: Music, Memories And Everyday Life
Joy White Over the last two decades, I have amassed and collated flyers, promotional material,...
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