A Quietus Interview:
Black Midi
Features
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Tome On The Range
Being Jeff Goldblum: Helen McClory's The Goldblum Variations
We all know Jeff Goldblum, or at least, a few versions of him. We know the Jeff Goldblum who li...
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Craft/Work
A Politics Of The Image: An Interview With Trevor Paglen
Portrait of Artist Trevor Paglen. The Curve, Barbican. 26 September 2019 – 16 February 2020 © Ti...
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The Lead Review
Crocus In The Machine: Blossoms By Emptyset
Early one morning in February 1966, Cleve Backster was alone in his office at the Backster Scho...
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Features
Speaking In Tongues: Magma Interviewed By Musicians
Magma headline Tusk Festival this weekend in Newcastle This year marks the 50th anniversary of...
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Escape Velocity
Points Of Transition: An Interview With Squid
tQ finds Squid in London’s 100 Club, before a headline set at the venue’s now-annual ‘All Our T...
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A Quietus Interview
The Importance Of Physicality: Alessandro Cortini Interviewed
Portrait by Emilie Elizabeth Alessandro Cortini made his name touring and collaborating. He ha...
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Features
Wonderland: Nick Cave And The Bad Seeds’ ‘Ghosteen’ Reviewed
In the thirtieth entry of ‘The Red Hand Files’, where Nick Cave answers questions from his fans...
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A Quietus Interview
Shut Your Eyes And See: Félicia Atkinson Interviewed
Photography by Stine Sampers As part of my preparation for this piece, I spent a considerable ...
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Anniversary
Top Gear: The Jesus And Mary Chain's Automatic Revisited
The further you move away from the horizon, the harder it is to see your starting point. And so...
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Tome On The Range
Orgasm Addict: New Fiction Inspired By Buzzcocks
Filth. Not that kind – not yet, anyway. Just dirt for now, ashy fallout from constant smoke whi...
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Gross Net
Hurtling
Ana Roxanne 
Slaylor Moon
Kim Gordon
Richard Dawson
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