The Lead Review:
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Features
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A Quietus Interview
Too Much Love: An Interview With Fat White Family
Photo by Duncan Stafford The narrative surrounding Fat White Family has usually concerned front...
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Rockfort
Rockfort: A French Music Column For April
The latest album from hardcore math/jazz rockers Ni, Pantophobie, is a catalogue of different a...
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Three Songs No Flash
Eesti Rider: Tallin Music Week 2019 Reviewed
Alyona Alyona, photograph by Masha Kunina It’s not every showcase festival that can call on a ...
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A Quietus Interview
Mirrored Bodies: An Interview With Hans Appelqvist
Contains spoilers In the opening scene of Takashi Miike’s 2001 film Visitor Q we find Miki Yam...
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Tome On The Range
On Extinction and How Thomas Bernhard Can Save Us From Brexit
The minority and the individual are crushed by the majority because they are more in tune with ...
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Tome On The Range
Cobain The Craftsman: Nirvana Remembered By Their Former Manager
Had it not been for John Silva, his partner at their management company Gold Mountain Entertain...
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The Lead Review
How Do We Feel When We Feel Alive – Rose Elinor Dougall's A New Illusion
It’s that bass gliss at the front end, pulls you right in and you’re there, in its world, encas...
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Three Songs No Flash
The Power Is Endless: Out The Frame Festival Reviewed
It felt weirdly fitting that I found myself in Belgium on the weekend of the People’s March. In...
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Anniversary
RAR Power: Rock Against Racism 40 Years On
There’s a special place in Marxist heaven reserved for Red Saunders, the founder of Rock Agains...
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Strange World Of...
The Strange World Of... Julius Eastman
Apartment House plays Julius Eastman’s Femenine at this year's Intonal Festival, on April 28 T...
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