Strange World Of
Bolt Thrower
Features
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Baker's Dozen
Panning For Gold: Fimber Bravo's Favourite Music
Fimber Bravo’s musical prowess was first seen in the late 1960s when he began playing classical...
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Escape Velocity
Summoning The Ancestors: Muqata’a Interviewed
Muqata'a by Raouf Haj Yihya When promoting a new album, many musicians would be reluctant to ...
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Low Culture
Low Culture Podcast Seven: Mariam Rezaei On Turntablism
Thanks to the ongoing pandemic the knackered old Quietus jalopy is breathing a lengthy sigh of ...
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A Quietus Interview
It’s Like The New Past – Life Without Buildings Interviewed
In pop music, and the cottage industry set up to auto-mythologise it, there’s little premium hi...
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Anniversary
Super Apes: Gorillaz’ Self-Titled Debut, 20 Years On
The first Gorillaz album is not the best album Damon Albarn ever made. It’s not even the best G...
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Craft/Work
Postcards From The Edge: Crocodile Cradle At Peer, Hoxton
“I am a camera with its shutter open, quite passive, recording, not thinking. Recording the man...
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Tome On The Range
Beyond The Sea: Uwe Johnson, Patrick Wright, & The Isle Of Sheppey
Brent geese over Shellness and nudist beach. All pictures courtesy Patrick Wright We live in in...
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Low Culture
tQ's Exclusive Monthly Round-Up Playlist: February 2021
Photo: Maria Jefferis As part of your many, many perks for becoming a Quietus subscriber, we're...
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Quietus Charts
Music Of The Month: The Best Albums And Tracks Of February 2021
With the recent announcement that the end of June could mark the final end of coronavirus restr...
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Features
Lost Highway: Nick Cave And Warren Ellis' 'Carnage' Reviewed
"My response to a crisis has always been to create," Nick Cave wrote in The Red Hand files at t...
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