A Quietus Interview:
Black Midi
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Double Take: A Beginner’s Guide To The Chicago Imagists
How Chicago! Imagists 1960s & 70s, De La Warr Pavilion, Bexhill-on-Sea, 15 June – 8 Septembe...
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No Worries? New Art From Australia
Sandra Selig, One Rotation 2019, charcoal on existing wall, digital audio recording, 340 x 3,187...
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Monster Mash-Up: The Art Gallery As Haunted House
All images: Installation view, My Head is a Haunted House, curated by Charlie Fox, Sadie Coles H...
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Between Signal And Noise: The Feminist Soundscapes Of Aura Satz
Aura Satz, Tuning Interference: Dark Matter Radio (2019) at Science Gallery London. Ten speaker ...
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Is That All There Is To A Fire? Sophie Jung At Block Universe
Sophie Jung performing The Bigger Sleep rehush - hush 2019 Courtesy Block Universe, Photo Manuel...
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This Loud White Noise: Larry Achiampong's Dividednation
All images: Larry Achiampong, Dividednation (2019), Primary PHOTO: Reece Straw In what is argu...
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Artist-Run: Modern Finance At Thames-Side Studios
London artists Howard Dyke and Mike Gittings take on South London’s 2,600 square foot Thames-Si...
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Dossier 37: Unidentified Vibrational Objects On The Plane of Unbelief
All images courtesy AUDINT The clammy tropical air bristles with a shrill, insectoid buzz…. In...
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The Politics Of Extraction: Art Of The Liquid Crystal Display
Image credit: Courtesy of the artist Waad AlBawardi, The Hidden Life of Crystals, 2017 Tools of...
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Who Gets To Be The Artist? An Interview With Suzanne Lacy
Suzanne Lacy, Anatomy Lesson #4: Swimming, 1977 (detail); five colour photographs; (C) Suzanne L...
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Olympia
School Of Language
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