Herzog's Fitzcarraldo
A Blockbuster Ambition
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Manchester Will Haunt Itself: The British Pop Archive Reviewed
Granada Television, Offices, 1960, photograph by H. Milligan, Courtesy of Manchester Libraries, ...
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What It Meant To Just Be: Basquiat’s Sisters Interviewed
Jawbone of an Ass, 1982 © The Estate of Jean-Michel Basquiat Licensed by Artestar, New York Whe...
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Lourdes A Leaping: Laibach x Andrei Molodkin
DANGER live (Europe) credit Ari Matsuoka I’m in Lourdes to see Laibach. Lourdes is a site of ...
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Drugs Without Drugs: Gentrifying Gysin’s Dreamachine
Dreamachine photo by David Levene With my eyes closed, the light comes over me in waves. A wash...
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Against The Current: Surrealism Takes Over The World
Koga Harue, Umi (The Sea) 1929. The National Museum of Modern Art, Tokyo. Photo: MOMAT/DNPartcom...
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A Handful Of Dust: An Interview With Katie Paterson
Scottish Artist Katie Paterson with Requiem, an exhibition which tells the life of the planet in...
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The Raw & The Cooked: Seth Price’s Uncanny Valley
Installation view, Seth Price, Art Is Not Human, Sadie Coles HQ, London, 13 April-28 May 2022. C...
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Off The Wall: Art, Photography, & The Album Sleeve
Vinyl: The Rolling Stones, Exile On Main Street, Rolling Stones Records - COC 6910, England, 197...
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The Ghosts Of Mont Pelerin: London's Museum Of Neoliberalism
Nestled into the ground floor of a 1960s high street complex in Lewisham is a treasure trove of...
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Hearts Of Glass: Contemporary Art Gets Vitreous
Ryan Gander, Glass Betting Shop, Inside the artwork on High Street West. Ghost Shop, 2022 © Rya...
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