30th Anniversary
The Orb's U.F.Orb
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Re-Worlding: Ian Cheng’s AI Art Hopes To Flip Your Life Script
Ian Cheng, Life After BOB: The Chalice Study (still), 2021, Real-time live animation, colour, so...
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Summer of (Interspecies) Love: Artist Hanna Tuulikki's Bat Radar Rave
Pictures by Ben Douglas It’s a cool early September evening in Arbroath, and a little crowd has...
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Speech Recognition: The Voice Gem System Of Harry Yeff & Trung Bao
Kenny Schachter Voice Gem Growing up on a council estate in East London, the young Harry Yeff w...
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Inventing Soutine: On Artists In Fiction
I confess to suffering from artist-envy. I mean, rather than arranging the fly-specks and hen-s...
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Lux Non Aeterna: The Fleeting Light Works Of Richard Wright
This is Rebecca Solnit writing in Orwell’s Roses, her recent book on the more bucolic side of t...
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The Importance Of Being Earnest: Five Highlights From Documenta 15
Richard Bell, Umbrella Embassy, 2022, installation view: Fridericianum, 14 June 2022. Photo: Nic...
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Sound Of The Crowd: The Procession By Hew Locke
“What I try to do in my work is mix ideas of attraction with ideas of discomfort – colourful an...
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A Spectre Is Haunting Mayfair: Haunted Realism At The Gagosian
ADAM MCEWEN, Untitled, 2020. Flashe and spray paint on paper 11 1/4 x 15 3/4 in, 28.6 x 40 cm © ...
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Billericay Mickie: Michael Landy At Firstsite, Colchester
Michael Landy, Essex Man (after Collet), 2021. Based on an original drawing by Edward Collet. Mi...
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Echo's Answer: New Sound Art From Ireland
“In my music, you have to concentrate on one or two things … one thing actually. I’ve been told...
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