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Craft/Work

Craft/Work
Erase & Rewind: Peter Fischli's Reqiuem For Painting
Lucio Fontana, Io sono un santo, 1958. Ink on paper on canvas with cuts, 50 x 65 cm © Fondazione...
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Craft/Work
Reimagining the Biennial Industry: Momentum in Norway
Forty minutes on a fjord-side train journey from Oslo is Moss. A modest harbour town which now ...
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Craft/Work
Folly Good Show: Abbas Akhavan at Chisenhale Gallery
What is a folly? A fool’s errand, a joke, or a jape? It also has another meaning. An architec...
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Craft/Work
Bringing The Noise: Yuri Suzuki's Sonic Bloom
Picture: Alberto Balazs You can see Sonic Bloom (2021) from the street as you approach Brown Ha...
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Craft/Work
Messthetics: An Interview With Karla Black
#2. Karla Black, Punctuation is pretty popular: nobody wants to admit to much (detail), 2008-202...
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Craft/Work
Joy, Strife & Oppression: Claudia Andujar’s The Yanomami Struggle
Claudia Andujar. The Yanomami often burn down their yano [collective house] when they migrate, w...
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Craft/Work
Everything Under The Sun: The Passions Of Wolfgang Tillmans
Wolfgang Tillmans, Moon in Earthlight, installation view, Morena di Luna, Hove, 2021 © Wolfgang ...
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Craft/Work
More Bounce To The Ounce: Anna Meredith's Music For Dodgems
If you’ve ever wondered how it feels to play pinball machines from the perspective of the ball ...
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Craft/Work
Towers On Fire: Jimmy Cauty's ESTATE
On the north side of Edinburgh, on the border of the Muirhouse and Pilton housing schemes, the ...
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Craft/Work
Get In The Zone: Art & The Landscape Of Orford Ness
A wind-swept tree blocking a path on the shingle on Orford Ness, April 2021. Commissioned and pr...
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