Strange World Of
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Tome On The Range
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Tome On The Range
Present, Tense: On Cake, Berlin & The Far Right With Musa Okwonga
Musa Okwonga is showing me his old smart phone. “Here it is!” he says, grinning, having dived b...
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Tome On The Range
Something Kinda Ooh: Lesley Chow At The Limits Of The Lyrical
One could write the story of American contemporary music based largely on a history of “oohs”: ...
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Tome On The Range
Beyond The Sea: Uwe Johnson, Patrick Wright, & The Isle Of Sheppey
Brent geese over Shellness and nudist beach. All pictures courtesy Patrick Wright We live in in...
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Tome On The Range
Electric Dreams: Why There's More To Synths Than The Keyboard
All images by Oli Freke Synth manufacturers have pursued the perfection of electronic music for...
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Tome On The Range
The Mystery Of Melody Nelson: The Making Of Gainsbourg's Histoire
© Claude Truong-Ngoc / Wikimedia Commons “I loved the cozy atmosphere of London studios,” Jean-...
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Tome On The Range
Raising A Column Of Fire: On Simon Morris’s Autobiographies
Writing a gratuitous autobiography is a rare and truly perverse intellectual exercise. Splatter...
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Tome On The Range
Even Stranger Things: Carl Neville On WW Jacobs' The Monkey's Paw
I first read ‘The Monkey’s Paw’ when I was a child, and prior to re-reading it for this volume ...
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Tome On The Range
The Trouble With Comics: Can UK Comics Step Out From The Shadows?
Photo by Miika Laaksonen on Unsplash There has long been a suspicion among those making comics ...
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Tome On The Range
The Ear Of The Other: Colonialism & Decolonial Listening
The sensory faculties – seeing, hearing, touching, smelling, and tasting – played a crucial rol...
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Tome On The Range
The Vigour And The Oh: 6 Poets On Toothgrinder Press
Reading Six Poets from London’s independent poetry imprint Toothgrinder, it is of great assurance...
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Jane Weaver
Do You Have the Force? Jon Savage’s Alternate History of Electronic Music, 1978–82
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