The Lead Review:
Nkisi
Tome On The Range
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Tome On The Range
Bible Burning: Sleevenotes By Joe Thompson Review, Extract & Interview
When I first became a music writer in 2003, it was a case of, ‘Jump in the river while holding ...
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Tome On The Range
The Great Fire Of London: Plume By Will Wiles
I had the contents of my pockets, which included my phone, my wallet and my Oyster card. The be...
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Tome On The Range
The Return Of The Native: Maurice Manning Interviewed
Author portrait by Steve Cody Abraham Lincoln is an American secular icon. His image - and the...
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Tome On The Range
The Whitey Album: Bret Easton Ellis Runs Out Of Steam
Bret Easton Ellis has a problem: the current moment. He can’t be having it and so instead of gi...
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Tome On The Range
From Ballet To Sex & The Pistols: How Jordan Became The Face Of Punk
In 1973, four years before she was slapping on Mondrian-style face paint, managing and performi...
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Tome On The Range
The Vernacular Of Places: Max Porter's Lanny
Beyond all other things, Max Porter is an author who writes about love. In Grief Is A Thing Wit...
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Tome On The Range
Major League: An interview with Simon Moreton
Simon Moreton will be familiar to readers of tQ’s comics coverage as one of the UK’s foremost s...
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Tome On The Range
Mapping The West Midlands: The Stories Of Lisa Blower
“There was a time when you couldn’t eat a meal with any decency without the potters from Stoke...
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Tome On The Range
Listening To The Light Of Grass: Elizabeth-Jane Burnett's The Grassling
It is Gary Snyder, itinerant scholar-poet of the Pacific Rim, who called upon us, some forty ye...
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Tome On The Range
A Hub Of Potential: Mark Sinker On The UK Music Press
image credit: Savage Pencil What’s left to be said about the music press in the 1970s and 1980s...
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Tyler, The Creator
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The London Sound Survey / Iain Chambers / Robert Worby
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Helm
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