Help The Quietus continue bringing you the best in cultural criticism by joining one of our subscription tiers. Cancel easily anytime.
As cultural publications around the world continue to collapse due to advertising revenues running dry, we’re ever more reliant on direct support from you to continue bringing you the best writing there is..
Exceptional art deserves exceptional insight from thoughtful critics. By supporting The Quietus, not only do you help us keep the number of ads on site to a minimum and the lights on at the great server farm in the cloud, you ensure we can continue to pay our brilliant writers.
There are no corporate media owners or shareholder profits to pay out. 100% of your subscriptions goes directly to those who contribute, keeping The Quietus independent and focused on never watering-down our cultural coverage.
Monthly Spotify, Apple Music & Tidal playlists rounding up the music we’ve been writing about on the site.
Three specially curated bonus playlists each month to accompany Baker’s Dozen, A Quietus Interview and Strange World Of…
After 35 years of reinventing British pop, Saint Etienne’s Bob, Pete and Sarah are hanging up their samples, synthesisers, feather boas and football strips for good. Jude Rogers offers 10 ways into their always surprising, genre-splicing back catalogue, from their early days with C86 bands and Andrew Weatherall to their final, star-filled album
Pulp are back with their first new album in nearly a quarter of a century; Jarvis Cocker joins us to talk about More, but also outsider art in America, an attic full of wonder in London and revolution versus violence in Sheffield. Words by Darran Anderson. All portraits by Tom Jackson
Despite the predictably & performatively negative reaction the Japanese artist inspires in some critical quarters, it is clear she has been responsible for a cavalcade of bangers over the decades. With a new retrospective at the Tate Modern, Jeremy Allen explores her back catalogue
The Quietus founders & editors Luke & John discussing an essential album, book, telly series or film each month
An exclusive monthly long read on a cultural artefact by some of our favourite writers.
When Marie Le Conte moved from Nantes to London she rejected her French identity, along with a teenage infatuation with Phoenix' fourth album. Years later, she reflects on how the "youth and hope and enthusiasm bottled inside ten neat and clean little songs" actually allows her to have a conversation with her past self about life, love and becoming.