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A Quietus Interview
The Horrors Of Britpop: An Interview With Heavenly
Heavenly in the 1990s, photo by Alison Wonderlan “We avoided Britpop mainly by going to other p...
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Complete Communion
Complete Communion: Jazz For November Reviewed By Peter Margasak
Joanna Mattrey & gabby fluke-mogul Zev Feldman has to be the most prolific sleuth in archiv...
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Escape Velocity
Love And Water: An Interview With Shovel Dance Collective
Photo by Kathryn Wood Discourse around ‘experimental’ music can often seem cold or remote when ...
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Tome On The Range
Desperate Journalists: Music In Print, 1950–2000
Photo credit: Alex Burrows In 1953, just a year after buying Musical Express and relaunching it...
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Craft/Work
The Beach Above The Street: Amalia Pica’s Rock Comb
Picture credit: Rob Harris/ Brighton CCA The 1949 Coastal Protection Act makes it illegal to re...
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Reissue Of The Week
Reissue Of The Week: 2manydjs' As Heard on Radio Soulwax Pt. 2
20 years ago this mix blew the roof off the indie scene, setting the path for Justice and the E...
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Low Culture
From The Underground Up: An Interview With Sly & The Family Drone
To receive Singularity track 'Every Knife In This House Is Mine' by Sly & The Family Drone ...
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Low Culture
A Glimmer Of Cope: Adelle Stripe On The Modern Antiquarian
Julian Cope at Silbury Hill, Wiltshire by Cat Stevens. All other photographs courtesy of Adelle...
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A Quietus Interview
Maternity Beat: An Interview With Hedvig Mollestad
Photo by Kim Hiorthøy With each of Hedvig Mollestad’s albums, whether solo or with Hedvig Molle...
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Album Of The Week
Distant Worlds: One By S t a r g a z e
Photo credit: Reiner Pfisterer Venturing out into the streets, you can catch glimpses of the pa...
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