The Strange World Of:
Asha Puthli
Features
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Tome On The Range
5th Chamber—Creative Reorganisation: Will Ashon Enters The Wu
It seems likely that any culture born out of slavery will be re-referential, in that its mode o...
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Tome On The Range
Unearthing Ancient Evils: An Interview With Adam Nevill
The arrival of a new Adam Nevill novel, especially one timed to appear on Halloween, is always ...
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Tome On The Range
Quantity Theory Of Inanity: Will By Will Self Reviewed
When did it all start going wrong for Will Self? Once part of the Soho intelligentsia set of th...
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Craft/Work
Neon Lights: The Digital Art Of Rebecca Allen
Rebecca Allen, Kraftwerk Portrait (1986) Courtesy the artist. Rebecca Allen has been making art...
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The Lead Review
Sketches In Eternity: Leonard Cohen’s Thanks For The Dance
In a 1992 interview with Paul Zollo, Leonard Cohen said: “Freedom and restriction are just luxu...
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Escape Velocity
Constructs Of Sanity: LABOUR Interviewed
Portrait by Özlem Sen. LABOUR* play Musica Sanae on November 15 August 2018, and in Berlin’s K...
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Baker's Dozen
Something Got Him Started: Mick Hucknall's Favourite Albums
It's fair to say of Mick Hucknall that he has been a victim of what he himself describes in thi...
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Features
Columnfortably Numb: Psych Rock For November Reviewed By JR Moores
All you fleece-loving contrarians who are currently sporting a pumpkin-shaped boner because the...
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A Quietus Interview
A Roaming Suburban Boy: William Doyle Interviewed
On a sunny mid-May afternoon, the quiet streets of Chandler’s Ford, Hampshire are alive with bi...
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Anniversary
In Fair England: Fairport Convention's Liege & Lief At 50
One autumn evening a couple of years ago, my friends and I were drinking outside a pub in behin...
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Michael Kiwanuka
Merzbow, Keiji Haino & Balázs Pándi
William Doyle
The Leaf Library 
Ekoplekz
Mayhem
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