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Features
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Tome On The Range
The Last Monday On Earth: Mark Fisher’s Postcapitalist Desire
The metro was clinking and clacking away. It was the mid-2010s and I had just read Mark Fisher’...
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Craft/Work
Stick Figures & Robotic Systems: At Berlin Gallery Weekend
Exhibition view: Ugo Rondinone,nuns + monks,Esther Schipper, Berlin, 2020 Courtesy the artist an...
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Craft/Work
Enter The Void: Berghain As Art Gallery
With the unadulterated hedonism of Berlin’s club scene indefinitely on hold, the legendary club...
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Escape Velocity
Riding The Storm: An Interview With Nihiloxica
All photos by Will Leeming It’s hard not to feel a little sorry for Nihiloxica. An overwhelming...
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The Lead Review
The Mysteries Of The Organ: Sarah Davachi's Cantus, Descant
Though its name suggests otherwise, “organology” – the subfield of musicology in which Sarah Da...
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Baker's Dozen
Don't Call It Fusion: Nitin Sawhney's Favourite Music
Well-known for his ability to combine worldwide sounds such as jazz and electronic music with A...
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Features
Power Spots: 13 Artists On The Inspiration Of Jon Hassell
So much of the music that we at tQ enjoy would not exist were it not for the trumpeter and comp...
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A Quietus Interview
Howl's Moving Hassle: Penny Rimbaud Interviewed
From activist to poet, novelist to painter, musician to philosopher, Penny Rimbaud’s creative l...
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A Quietus Interview
Cumbia Completa: An Interview With Meridian Brothers' Eblis Álvarez
Photos by Mariana Reyes In the 1990s, when Eblis Álvarez was studying in the Colombian capital ...
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Escape Velocity
A Collision Course: Sprain Interviewed
Sprain portrait by Dylan Rebecca Keith Adorning the cover of Sprain’s debut album As Lost Thro...
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Tricky
We Wild Blood
Howie Lee
Sea Glass
Bab L’ Bluz
Lucrecia Dalt
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