Rum Music:
2022's Hits & Highlights
Features
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Album Of The Week
End Times: Oozing Wound's We Cater To Cowards
Oozing Wound by Evan Jenkins This could be the record that kills Oozing Wound. Thrashing thei...
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Strange World Of...
The Strange World Of... Chris Watson
Over the course of tQ’s 15 years online, I can think of few other artists who have provided me ...
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Complete Communion
Complete Communion: Jazz For January Reviewed By Peter Margasak
Mette Henriette. Photo by Anton Corbijn The passing of time only strengthens the case for Don ...
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Escape Velocity
The Happy Balance: An Interview With Jessica Winter
Photos by Nan Moore Jessica Winter came to music as if by necessity; as a child, she was diagno...
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Tome On The Range
Close To Him: Tom Sheehan’s Pictures Of The Cure
The Cure 1995 (c) Tom Sheehan I have to admit I can't recall exactly when I first saw my first ...
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Craft/Work
Still Lives: Hannah Starkey’s Pictures Of Women
Hannah Starkey, Untitled, August 2012, 2012. C-type photographic print mounted on aluminium. Cou...
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Album Of The Week
Rapid Eye Movements: Saccades By Rian Treanor & Ocen James
There’s a frantic, jittery energy to Rian Treanor's music. Released by Planet Mu in 2020, the Y...
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Subscriber Area
Judge Not, Lest Ye be Judged: Joel McIver On 2012 Film Dredd
The worst film ever made is not Judge Dredd, the 1995 Sylvester Stallone vehicle: that title go...
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Baker's Dozen
Kernow Calling: Mark Jenkin’s Favourite Albums
Photo by Steve Tanner Mark Jenkin had every intention of tidying his studio, but the day before...
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A Quietus Interview
Use Your Days: An Interview With Gina Birch
Photo by Eva Vermandel “I tend not to censor myself,” Gina Birch – post punk icon and founding ...
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Glyders
Deathprod
Abracadabra
Mozart Estate 
John Cale
Juni Habel
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