Here are our favourite albums of the last 12 months, as voted for by tQ staff, columnists and core writers
Defensive Acoustics
Liam from My Disco's solo project proves both a hostile environment – and a fertile playground
Jennifer Lucy Allan picks out 10 of the best from another Rum year, from lucid bedroom pop made in 1980s Hungary, to wild new sounds out of Lancashire produced on self-built wooden instruments, via accordions, kanteles, lap steel guitars, modular synths and much much more
DENTRO DE MIM
The Angolan-Portuguese producer's first foray on an international label provides a perfect entrypoint – not to just to one artist's sound, but to the thrilling, pulsating, grinding world of batida
Toby Manning gets to grips with the Beggars Arkive reissue of Gary Numan's often overlooked second solo album Telekon, and its smart man/machine reversal
Bludgeoning Simulations
Ghold’s latest is an expansive, trudging voyage through deep, dark reverie, with proceeds from Bandcamp sales going towards SkatePal, a charity supplying skateboarding equipment and training courses to underfunded communities in Palestine
Tariq Goddard declares that in Jeremy Brett's portrayal of Arthur Conan Doyle's fictional detective, the actor delivered one of the greatest TV performances of all time – one that was so total, it arguably destroyed him
From radical dance music to triumphant, intricately layered synth pop and a levitating collaboration between a Ugandan embaire ensemble and a Japanese dub producer, Daryl Worthington finds rays of joy on cassette to blast away the impending winter entropy this November
Artists discuss the 13 records that shaped their lives
A concept album that transcended its concept, a stealth mix-CD, global disco, sampledelic exotica, yacht rock by other means: the Australian group’s debut was many things, writes David Bennun - and above all it was, and remains, a joy. This article was first published in 2020
In an exclusive extract from his new book, Strange Young Alien, the founder member and principal songwriter of the Monochrome Set discusses the ruptured cerebral aneurysm that changed the way he thought about music and the creative process
Blitz: The Club That Created the Eighties, a new book by Robert Elms, returns the reader to a bygone London of squats full of future popstars and cans of Red Stripe to recall the nightclub that birthed Spandau Ballet and Visage and might just have invented the future