Mary Chiney gets to grips with a holy grail of Antillean music, Roland Brival's seamless marriage of American spiritual jazz with the ancestral roots of Martinique’s bèlè and carnival traditions
Music for Intersecting Planes
The new collaboration between Leila Bordreuil and Kali Malone captures candlelit conjurations that unfurl into warning sirens, says Bernie Brooks
Chris Pugmire offers us ten entry points into the back catalogue of Ed Kuepper of Australian iconoclasts The Saints, Laughing Clowns, and solo and collaborative renown
Dust To Dust
Overflowing with sounds and ideas, the latest from the Bangladeshi composer-producer is full of surprises
From Norwegian hardcore royalty to one of the few flying the flag for the Alabama underground, via returning Dublin favourites and yet another essential demo from the relentless Shrewsbury scene, Noel Gardner returns once more with his guide to new punk rock
Artists discuss the 13 records that shaped their lives
John Grindrod discovered his sexuality in the streets of Croydon, always looking up the tracks to London, and argues that no other artist articulate this tension between city, suburbia and LGBT+ lives quite so beautifully as did Messrs Tennant and Lowe. This BST comes with a Pet Shop Boys Suburbs vs City playlist exclusive to our Subscriber Plus supporters.
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Enter Subscriber AreaBy the mid-90s Stereolab should have been at the peak of their powers, so why didn't it feel that way to Tim Gane and Laetitia Sadier? Fergal Kinney examines the series of events that saw the band escape the dead end they'd ended up in culminating in the release of one of their most celebrated albums
Each week we conjure up a miscellany of tQ writing from the mists of time for you. Most often random. Sometimes themed. Always enthralling.
Explore The PortalThe Neubaten guitarist (later bassist) and collaborator with Phew, The Tiger Lillies and many more opens up about days wiled away in a seminal Berlin record shop, in an exclusive extract from his new book, Blast: Distorted Memories
From working with Brian Eno to playing with The Contortions and The Bloods, Adele Bertei had a front-row seat to New York's infamous No Wave scene. She talks to Elizabeth Wiet about noise, melody, and why the fertile ecosystem of Downtown NYC couldn't come about today