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Serial collaborator and Propellor Orchestra leader Jack McNeill's long-awaited debut solo album is released today exclusively for tQ subscribers, a record that draws deep on his surroundings in Cumbria, but subverts our expectations of the clarinet as an instrument that hymns the pastoral
On her thrilling second album, Aya's abrasive mix of techno, UK bass, noise and industrial becomes a surgical tool for explorations of trauma and identity
As she moves up to co-lead vocal and songwriting duties for Black Country, New Road, Tyler Hyde selects 13 records that influence her craft, from Randy Newman to The Fall via Frank Ocean, "Blue" Gene Tyranny and more
Ahead of Counterflows festival, Jennifer Lucy Allan speaks to Tori Kudo to offer ten points of musical entry to his extensive back catalogue. Well, nine points of musical entry and one pair of ceramic shoes
Daryl Worthington speaks to Turmeric Acid about telepathic collaborations, and reviews tapes of free-wheeling hardanger and Andean flute improvisations, sat nav fall outs, ecstatic noise and more in March’s dive into the cassette scene
Artists discuss the 13 records that shaped their lives
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Enter Subscriber AreaSerial collaborator and Propellor Orchestra leader Jack McNeill's long-awaited debut solo album is released today exclusively for tQ subscribers, a record that draws deep on his surroundings in Cumbria, but subverts our expectations of the clarinet as an instrument that hymns the pastoral
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40 years on, Simon Price revisits the undeclared war between Arcadia, who made "the most pretentious album ever", and The Power Station, who made "the most cocainey album ever"; and asks who, if anyone, was the winner
Each week we conjure up a miscellany of tQ writing from the mists of time for you. Most often random. Sometimes themed. Always enthralling.
Explore The PortalWas disco the hated antithesis of all that was punk? Not according to OG punk rocker, Vivienne Westwood collaborator and Sex Pistols DJ Alan Jones. With his new book Discomania recenly published, here he picks his all-time top ten celluloid stompers
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