The Quietus - A new rock music and pop culture website

Features

Musicians & tQ Writers On Anti-Fascist Anthems
Luke Turner , October 4th, 2016 08:32

Featuring contributions from Ben Durutti, Penny Rimbaud, Bobby Barry, Jeremy Allen, Ben Myers, Kevin McCaighy, Stewart Smith, Neil Cooper, Matt Evans, Tony F Wilson, Leo Chadburn, Emily Mackay, David Bennun, Phil Harrison, Arnold De Boer, Joel McIver, Russell Cuzner, Jeremy Bolm, John Doran, TV Smith, James Sherry, Jonathan Meades, Tristan Bath, JR Moores, Julian Marszalek, Captain Sensible, Andy Moor, Christine Casey, Nic Bullen and Stewart Lee

Charles-mingus-mingus-ah-um__1__1466872462_resize_460x400


Charles Mingus - ‘Fables Of Faubus’

There is, as the old saying doesn’t quite go, more than one way to skin a fascist. And Charles Mingus knew that. While furious anger would have been an entirely appropriate response to Governor Orval Faubus’s decision to use the state guard to prevent African American children from attending Little Rock Central High School, Arkansas in 1957, Mingus managed to create a brilliant and unique protest song by rising above that impulse. Let’s remember the context: this was a dispute which had involved grown adults spitting in children’s faces, potential students being attacked with acid and the attempted burning of one child. How do you adequately respond to acts of such grotesque extremity? Maybe the only way is to take the piss. ‘Fables Of Faubus’ doesn’t sound militant. - instead, its lurching lope, pitched somewhere between bebop and a particularly lugubrious New Orleans second line sounds mocking, insolent, as close to sarcastic as music can get. It basically refuses to take Faubus seriously; treats him like the clown he so evidently is. And in the end, isn’t that the best possible response to someone trying to impose their insane and offensive vision onto you? Mingus doesn’t cuss Orval Faubus out - he simply makes some music that sounds like a fantastic party to which Faubus couldn’t possibly be invited.
Phil Harrison