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Keith Kahn-Harris
Articles
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A Quietus Interview
Total Fucking Amnesia: Silverfish Interviewed
Silverfish were a London-based band active from the turn of the 90s. They released two albums a...
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Black Sky Thinking
Why Elton John’s Watford FC Chairmanship Was His Finest Hour
Sometime in the early 1980s, Elton John bought a tram. On a downer after a multi-day bender, he...
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Reissue Of The Week
Reissue Of The Week: Talking Heads' Stop Making Sense
Yes, yes, yes. Obviously Stop Making Sense is the finest concert film ever made. The 1983 stag...
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Live Reviews
Love & Disappointment: Peter Gabriel Live
When I first heard about Peter Gabriel's gender reassignment procedure, I was disappointed. Not...
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Anniversary
What Are We Rejecting When We Reject St. Anger? Metallica’s Mid-Life Crisis At Twenty
There is a contrarian impulse in music criticism just as there is in the wider public sphere; a...
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Reviews
Dawn Ray’d
To Know The Light TO KNOW THE LIGHT by Dawn Ray'd There is nothing in these songs Of which to be ashamed, Ev...
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Books
Trapped In The Overground: The Sickness Of The Music Industrialist
Cropped from 'Richey Edwards with Manic Street Preachers in Japan, circa 1991' Masao Nakagami. L...
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Books
They Were Not Evil: The Loveable Raconteurs Of NWOBHM
Photo by Fernando Catalina Landa. CC BY 2.0 Outside of a hardcore of grizzled loyalists and fan...
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Black Sky Thinking
Taking The Heavy Metal Umlaut Seriously (Or, Why Motörhead Are Azerbaijani)
Detail from the Motörhead logo If the heavy metal umlaut demonstrates anything, it is a simult...
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Anniversary
Gutted, Hashed and Deboned: Necroticism: Descanting the Insalubrious By Carcass At 30
To push back a genre label is, all too often, a reliably generic move by artists desperately se...
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