The Strange World Of...
Yoko Ono
Escape Velocity
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Escape Velocity
Suck My Finger: An Interview With Chúpame El Dedo
It's hard to take Eblis Álvarez entirely seriously when he describes Chúpame El Dedo's li...
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Escape Velocity
Stendhal Syndrome: Idles Interviewed
Photography courtesy Henry Calvert It took Idles a long time to rip the overwrought fat ...
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Identity Techno: Umfang Interviewed
Symbolic Use of Light marks a significant step forward for Discwoman co-founder Emma Olso...
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A Macabre Release: An Interview With SPQR
Meeting them in person – shy, nervous, and polite in the extreme – you wouldn't think tha...
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Screaming Hedges: An Interview With Snapped Ankles
Photo by Kasia Wozniak It is the morning after general election night, and the Labour Par...
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Youthful Urgency: Lanark Artefax Interviewed
Many peoples’ introduction to Calum MacRae, otherwise known as Lanark Artefax, may have c...
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Diasporic Fuzz: An Interview With Here Lies Man
What if Black Sabbath had played Afrobeat? What indeed. Bill Ward would have swung like t...
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Old Soul: XamVolo Interviewed
"My vision of success is an unbiased opinion from person A to person B," says Sam Folorun...
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Low End Frequencies: Parris Interviewed
Hemlock is a record label deeply synonymous with the strand of club music which began spl...
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Escape Velocity
Music Is A Very Precious Personal Thing: Danny Passarella Interviewed
Back in 2004, Passarella Death Squad was doing something quite unfamiliar in Britain, pro...
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