The Strange World Of...
Yoko Ono
Features
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Album Of The Week
Karl Smith On Ryuichi Sakamoto's async
Enshrined in publicity materials and regurgitated ad infinitum by the music press, by thi...
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Baker's Dozen
Bring Back The Sounds: Tim Cedar Of Part Chimp's Baker's Dozen
I think I owe at least a portion of the tinnitus I sometimes suffer to Tim Cedar and Part...
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Features
Vanishing: Where Is The Music Of The Impending Apocalypse?
Do you catch yourself thinking about the end of the world? What prompts these thoughts? A...
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A Quietus Interview
Ragnarok & Roll: Einar Selvik Of Wardruna Interviewed
Portrait by Espen Winther Wardruna are a Norwegian music group founded in 2002 by ex-Gorgoroth...
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Spool's Out
Spool's Out: Tape Reviews For April With Tristan Bath
The weekly Spool’s Out radio show on London’s Resonance FM just hit its 100th episode. We celeb...
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Features
No Jacket Required: Aidan Moffat's Inspirational Album Art
Like you, I love music. From heartbreaking ballads to disco bangers, from beats and rhyme...
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Complete Communion
Complete Communion: Jazz Reviews For April By Stewart Smith
This month’s Complete Communion swings the jazz pendulum between the US and the UK, sweep...
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Anniversary
Just Like A Dream: The Cure's Kiss Me Kiss Me Kiss Me Revisited
It would have been at some point in late 1987, my senior year of high school, and it woul...
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Art
Film As Surface: Elizabeth McAlpine's Light Reading
The Raid is a 101 minute long silat [Indonesian martial arts] film, directed by Welsh fil...
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Art
A Chance To Cut: The Ends Of Collage
Jack Goldstein, The Knife, 1975, 16mm film, colour, silent, © The Estate of Jack Goldstein ...
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