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Yoko Ono
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Walk Into The Lasers: An Interview With Xylitol And Sculpture
Sculpture, photo by Pat Grimm Xylitol play Acid Horse Festival, May 24 - 26 alongside former su...
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Quietus Charts
Music Of The Month: The Best Albums And Tracks Of April 2024
Perhaps it's just the way I'm feeling at the moment, but it seems telling that so many of my fa...
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Album Of The Week
Long Nows: Ghosted II By Oren Ambarchi, Johan Berthling & Andreas Werliin
Photo credit: Joeri Thiry In his book The Exhausted of the Earth: Politics in a Burning World, ...
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Subscriber Area
Low Culture Essay: Natasha Carthew on the Elephant Fayre
Elephant Fayre, my backyard festival, how I miss you; my own private oasis where I was first al...
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Features
Inner Ear: Slovak Music for April Reviewed By Jakub Knera
Eva Sajanová and Dominik Suchý. Photo by Šimon Lupták “What I like about Bratislava is that...
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A Quietus Interview
Finding Hope: Charles Hazlewood, Brett Anderson & The Paraorchestra Interviewed
When some of us are young, an interest in mortality hangs around our shoulders like a long coat...
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Escape Velocity
One Direction: An Interview With Tramhaus
Photo by Elmo Taihitu Tramhaus, a noisy and mercurial post punk band from Rotterdam, repeatedly...
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Baker's Dozen
Magic Moments: Michael Head’s Baker’s Dozen
Photo by John Johnson In a recent press release, 2024 is declared to be ‘The year of Mick Head’...
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Anniversary
Long Game: Ghostface Killah's The Pretty Toney Album 20 Years On
Imagine if, on that day in late 1993 when you'd first been smacked around the brain by the Wu-T...
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Album Of The Week
Put A Konk On It: Spectra Volume 2 By ||ALA|MEDA||
The recording of a rapturous performance by Tanzanian singeli duo Sisso and Maiko at the Boiler...
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