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Features
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A Quietus Interview
People Are People: Martin Gore On Brexit & Finding Acceptance In The UK
Portrait by Anton Corbijn If there’s one thing Depeche Mode isn’t it’s favourite sons. A...
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Art
On The Edge: Michelle Williams Gamaker And Julia Kouneski
We are twenty-two floors up the Edifício Copan, a 118.44-metre tall residential building ...
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Books
Fail Better: The Music Of The Future
It’s about a quarter to eleven on the third of May and I’m at a bar in Zagreb’s Studentsk...
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Art
Colouring Out: Queer British Art At The Tate
Henry Scott Tuke (1858-1929), The Critics, 1927, Oil on board, 412 x 514 mm, Warwick Distric...
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Quietus Mixes & Radio
The Quietus Hour Show 35: A COUM Transmissions Hull Special
Last month, The Quietus travelled to Hull for the final weekend of events that we progr...
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A Quietus Interview
Times For Revulsion: Richard Dawson Talks Peasant With Michael Hann
The most extraordinary record of the year so far opens with a fanfare of brass, off kilte...
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Baker's Dozen
The Unspoken Magic: Greg Graffin Of Bad Religion's 13 Founding LPs
In 1983 Bad Religion released what has subsequently become one of the most widely discuss...
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Rockfort
Rockfort: French Music Reviews For April By David McKenna
Duo PuechGourdon - (S/T) (La Nòvia) & La Barracande - (S/T) (La Nòvia/Becoq Records)...
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A Quietus Interview
Tearing Off The Band Aid: Revealing The Scabrous Truth of Gerry & The Holograms
"This is where the blood of the working classes ran red in the street," Christopher Paul ...
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Escape Velocity
Desperately In Love: Asiq Nargile Interviewed
The Turkish word Asiq (pronounced ‘ashik’) can mean two things. Firstly, it refers to an ...
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