tag:thequietus.com,2005:/featuresThe Quietus | Features2024-03-15T17:17:49Ztag:thequietus.com,2005:Article/339732024-03-15T17:17:49Z2024-03-18T11:07:14ZIt’s Just Metal And Wood: An Interview With Still House PlantsStill House Plants speak to Patrick Clarke about growing self-confidence, rethinking the limits of guitar, voice and drums, and taking a “major step forwards” on their third album if i don’t make it, i love uPatrick Clarketag:thequietus.com,2005:Article/339682024-03-15T09:58:58Z2024-03-15T11:30:43ZOrganic Intelligence XXX: The Baader Meinhof Bum DungeonIn this month’s antidote to the algorithm, Luke Turner heads back a decade to a riotous and fruity moment where techno got the horn, and decided to have a massive laughLuke Turnertag:thequietus.com,2005:Article/339592024-03-13T09:21:46Z2024-03-15T11:38:55ZReissue Of The Week: Electribe 101's Electribal MemoriesA timely reissue of a UK house classic LP helps challenge rockist (and IDMist) notions of lasting worth in dance music, says Joe MuggsJoe Muggstag:thequietus.com,2005:Article/339602024-03-13T09:47:22Z2024-03-15T09:24:03ZBuilding Back Better: New Monuments By Amirtha Kidambi’s Elder OnesKidambi’s third album with the NYC-based collective was forged in the crucible of the 2020 Black Lives Matters protests, making for the group's most overtly political record yetPeter Margasaktag:thequietus.com,2005:Article/339562024-03-12T09:33:12Z2024-03-13T09:18:23ZThe Strange World Of... U.S. Maple“There were so many great bad ideas to explore.” Joe Thompson of Wrong Speed records guides us through the imperfectly formed catalogue of the cult Chicagoan noise rock band, with the help of guitarist Todd RittmannJoe Thompsontag:thequietus.com,2005:Article/339542024-03-12T08:47:18Z2024-03-12T11:39:38ZLove In the Present: Julia Holter Interviewed The sixth record from Julia Holter is a layered and heartfelt exploration of the sublime everyday. Ahead of her performance at Rewire Festival next month, she talks to Skye Butchard about its difficult creation, parallel soundtrack projects, and the attention economy in the streaming era
Skye Butchardtag:thequietus.com,2005:Article/339552024-03-12T08:58:24Z2024-03-12T11:10:57ZStraight Hedge! Noel Gardner Reviews Punk & HC For MarchNoel Gardner's punk and HC roundup returns, taking him from Chicago to Barcelona, Melbourne and beyond. Homepage photo: CoaxNoel Gardnertag:thequietus.com,2005:Article/339502024-03-10T15:40:55Z2024-03-11T18:21:53ZEven Later: Dali De Saint Paul & Maxwell Sterling InterviewedA year after their gloriously nightmarish session for BBC Radio 3’s Late Junction, the two improvisers are finally sharing the recordings that didn’t make the airwaves... and taking their blistering show on the road. They speak to Alastair Shuttleworth about birdsong, fear, and their new audio-visual shows backed by the Outlands NetworkAlastair Shuttleworthtag:thequietus.com,2005:Article/339532024-03-11T10:40:44Z2024-03-11T14:39:52ZGuestlist For The Armageddon: An Interview With LynksLynks takes Bella Spratley through his journey from a Bristol basement party dressed in binbags and rubber gloves to next month’s dizzying debut album Abomination, and talks fluidity, anger, representation and more. Photos by Mars Washington
Bella Spratleytag:thequietus.com,2005:Article/339492024-03-10T12:51:56Z2024-03-10T13:18:21ZReissue Of The Week: Heldon's Electronique Guerilla reviewBack in 1974, Richard Pinhas’ Heldon took musical inspiration from Eno and Fripp in order to become France’s Buzzcocks and Throbbing Gristle all rolled into one. The country’s first modern DIY group laid the foundations for electronic music outside of the snobbery of academia and the restrictive practices of the French music industry, says Jeremy AllenJeremy Allen