The Strange World Of...
Yoko Ono
Features
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Features
A Vision Of Hell: The Cure's Pornography As Psychedelic Post Punk Masterpiece
The problem with the chronicling of popular music is the temptation to compartmentalise. ...
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Art
The Last Work Of Art: Remembering Remko Scha
Remko Scha, Remko Scha, Plastic Meltdowns (1-84), 1962 - 1992, Courtesy Remko Scha and TG, N...
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Art
"Dialogue Is Our Ceremony": An Interview With Postcommodity
A Very Long Line, courtesy Postcommodity Having only known the multimedia indigenous art ...
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Album Of The Week
Mat Colegate On Man Forever's Play What They Want
Man Forever's Play What They Want is undeniably a New York record. As big apple juicy as the pa...
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Baker's Dozen
Not-So-Bitter Music: Ali 'Perc' Wells On His Favourite 13 Albums
It's early May, it's sunny outside, and I'm sat opposite the strapping, unquestionably at...
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Anniversary
This Is What We Get: 20 Years Of OK Computer
In his October 2000 review of Radiohead’s monumentally-anticipated Kid A, Douglas Wolk of...
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Escape Velocity
Hiroshima Mon Amour: Paul Thomsen Kirk Of Akatombo Interviewed
Paul Thomsen Kirk, aka Akatombo [Japanese for red dragonfly], originally hails from Scotl...
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Anniversary
Revisiting Fields Of The Nephilim: Dawnrazor 30 Years On
If nature abhors a vacuum then rock & roll fucking loathes it. With The Sisters Of ...
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Escape Velocity
Multiple Media: Olivia Louvel On Music, Art & 17th Century History
After several years of releasing electronic music, Olivia Louvel had grown restless—not j...
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Columnfortably Numb
Columnfortably Numb: Psych Reviews For May By JR Moores
I have recently taken to microdosing on feta. It's well established that, as the most ps...
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