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Features
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Art
A Chance To Cut: The Ends Of Collage
Jack Goldstein, The Knife, 1975, 16mm film, colour, silent, © The Estate of Jack Goldstein ...
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Album Of The Week
Alex Macpherson On Kendrick Lamar's DAMN.
For a word with a multiplicity of meanings and connotations, there aren't many layers to ...
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Quietus Mixes & Radio
A Quietus Hour Special: With Thurston Moore
Today’s Quietus Hour Special is brought to you by John Doran, who had the pleasure of t...
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Columnus Metallicus
Columnus Metallicus: Heavy Metal For April By Louise Brown
It's been a funny old few months for heavy metal. While esteemed colleagues Kez and Pavel...
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Baker's Dozen
Experimentalism Wrapped Around Pop: Barry Adamson's Favourite LPs
Barry Adamson is something of a polymath. As well as a musician, he's made a name for him...
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A Quietus Interview
Repeating, Shouting, Pointing: Fixmer/McCarthy Interviewed
Over the past year or so techno sets on dancefloors across the world (well, Europe) have ...
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Live Reviews
Pop For The Politically Disillusioned: Charlotte Church Live
All photographs by Tash Bright “I thought you were all going to throw bottles of piss at...
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Anniversary
Bits & Pieces: Angus Batey On The History Of Cut And Paste
The strange saga surrounding the creation, release, deletion and destruction of the first...
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Television
Doctor Who Season Ten: The Pilot, Reviewed By John Tatlock
The re-launched Doctor Who has now been running for thirteen consecutive years, which is ...
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Art
No More Complex Pleasure Than Thought: Lina Hermsdorf
‘“Antonia” has grown up on Elysium. She speaks several languages and is able to transmute...
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