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With a post punk pedigree that stretches back to the origins of 4AD, The Wolfgang Press have made their first album for nearly 30 years, and the only thing it has in common with its predecessors is that it sounds nothing like them, they tell Wesley Doyle
With a post punk pedigree that stretches back to the origins of 4AD, The Wolfgang Press have made their first album for nearly 30 years, and the only thing it has in common with its predecessors is that it sounds nothing like them, they tell Wesley Doyle
Pet Shop Boys’ very own never-ending Dreamworld tour is back in the Capital for a five-night run at the Royal Opera House. But on a day when central London is host to multiple demonstrations about the kind of country the UK wants to be, are Tennant and Lowe losing their common touch?
Pet Shop Boys’ very own never-ending Dreamworld tour is back in the Capital for a five-night run at the Royal Opera House. But on a day when central London is host to multiple demonstrations about the kind of country the UK wants to be, are Tennant and Lowe losing their common touch?
It’s four decades since Nick Cave and the Bad Seeds released their debut album From Her To Eternity, a record that found Cave attempting a new musical and lyrical language that could free him from his past and help him create – and curate – his future, says Wesley Doyle
It’s four decades since Nick Cave and the Bad Seeds released their debut album From Her To Eternity, a record that found Cave attempting a new musical and lyrical language that could free him from his past and help him create – and curate – his future, says Wesley Doyle
When Einstürzende Neubauten formed in West Berlin 44 years ago, few would have predicted the speed-fuelled, metal-bashing industrial pioneers would be easing into their fifth decade by releasing their most coherent yet varied body of work so far. Frontman Blixa Bargeld tells Wesley Doyle how biological determinism, public improvisation and feather boas all fed into its creation
When Einstürzende Neubauten formed in West Berlin 44 years ago, few would have predicted the speed-fuelled, metal-bashing industrial pioneers would be easing into their fifth decade by releasing their most coherent yet varied body of work so far. Frontman Blixa Bargeld tells Wesley Doyle how biological determinism, public improvisation and feather boas all fed into its creation
Forty years ago this week Marc Almond released the album that almost finished his career. Derided at the time as an overblown, self-obsessed indulgence, Torment and Toreros is now considered a flawed masterpiece in the lineage of Lou Reed’s Berlin, Big Star’s Third, and Nick Cave’s Your Funeral…My Trial. Here the people who made the record tell its story in their own words.
Forty years ago this week Marc Almond released the album that almost finished his career. Derided at the time as an overblown, self-obsessed indulgence, Torment and Toreros is now considered a flawed masterpiece in the lineage of Lou Reed’s Berlin, Big Star’s Third, and Nick Cave’s Your Funeral…My Trial. Here the people who made the record tell its story in their own words.
*Conform to Deform: the Weird and Wonderful World of Some Bizzare* is an in-depth oral history of the legendary record label and its founder, Stevo Pearce. Techno pioneer Karl ‘Regis’ O’Connor – a huge fan of the label – met the book’s author Wesley Doyle to discuss how Some Bizzare impacted popular culture in the 80s
*Conform to Deform: the Weird and Wonderful World of Some Bizzare* is an in-depth oral history of the legendary record label and its founder, Stevo Pearce. Techno pioneer Karl ‘Regis’ O’Connor – a huge fan of the label – met the book’s author Wesley Doyle to discuss how Some Bizzare impacted popular culture in the 80s