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Definitive conversations with our favourite artists
As Jojo Orme announces details of debut Heartworms album Glutton For Punishment, she speaks to to Jeanette Leech about how fending for herself after a traumatic childhood led to her fierce DIY ethic, confounding sexist music blokes, and why you can love warplanes but still be anti-war
Ahead of a show at this year’s Sensoria Festival in Sheffield Kirsten Norrie, aka MacGillivray, talks to John Doran about her elemental multi-disciplinary practice drawing together folklore, poetry, music and film making. Main portrait by Zanne Chaudhry
In summer 2023, death metallers Blood Incantation decamped to Berlin’s Hansa studios to record groundbreaking new album, Absolute Elsewhere. Isaac Faulk talks to Dan Franklin about how pushing at the boundaries of what a band can be and a near-disaster with an untied shoelace went into creating their most mind-expanding music yet
With a post punk pedigree that stretches back to the origins of 4AD, The Wolfgang Press have made their first album for nearly 30 years, and the only thing it has in common with its predecessors is that it sounds nothing like them, they tell Wesley Doyle
Gwen Siôn speaks to Jude Rogers about how her love of dubstep raves in tunnels became a creative practice of turning the slate of North West Wales into music, blending field recordings with choral song, and how landscape art is political
Ahead of sets at Unsound's Krakow and New York editions, and a long-awaited reissue of his recordings of John Coltrane and Langston Hughes compositions, Raphael Rogiński speaks to Jakub Knera about his love of the world, spirituality in music and Central and Eastern European identity in a time of flux
Ahead of the reissue of Horizon Unlimited this week, Steph Phillips talks to Yeye Taiwo of legendary Nigerian Afrobeat group The Lijadu Sisters about revolutionising Nigerian pop music and how she is ready to go back on stage. Portrait of Kehinde & Taiwo by Jeremy Marre from the documentary Konkombe, courtesy Harcourt Films
Ahead of a set at this year’s OUT.FEST and off the back of superb new LP Ficar Vivo, Caveira's Pedro Gomes speaks to Stewart Smith about Lisbon’s storied experimental underground, the importance of dramatic dynamics on record, and the art of improvisation
Coming swiftly after the dissolution of Black Midi, Geordie Greep sets out on his own with an album informed by the music of Latin America, Brazil in particular. Ahead of the release of The New Sound, Eden Tizard speaks to Greep about the audacious new record. Cover photograph by James Potter
On the anniversary of Definitely Maybe and news of comeback gigs, author Anna Doble, speaks to a new generation of young women who are getting ready to show the world that Oasis belong to them. Main picture: a selfie by Bella Perozzi
Featuring members of The Courtneys, Guttersnipe and Hawthonn, Tristwch Y Fenywod are the Welsh-language gothic band set to release one of this year's best debut albums, says Patrick Clarke ahead of their appearance at Supersonic in Birmingham
Ahead of a performance at Supernormal Festival this weekend, Daniel Foggin, aka Smote, speaks to Danijela Bočev about how labour on a farm in the Scottish Borders, tales of a fearsome medieval wyrm whose lair lay nearby, and an appreciation of patient listening fed into his forthcoming fourth LP A Grand Stream
In the second podcast from Kyiv's 20ft Radio, we look back into the Novaya Scena that thrived in Kharkiv as the USSR crumbled. New Voices Ukraine is a collaboration between The Quietus, 20ft Radio, Neformat, the Ukrainian Institute and the British Council.
Orange Goblin frontman, “Big” Ben Ward, was infamous for drinking all comers under the table. But now he's gone sober and on new album, Science, Not Fiction, has embraced reason – up to a point. Main portrait by Tina Korhonen. Astrophotography by Giancarlo Erra
22 years into their career the perennial outsiders of 21st century queer American art rock have announced a potentially game-changing album in the shape of 13" Frank Beltrame Italian Stiletto With Bison Horn Grips. Words by Natalie Marlin. All pictures by Eva Luise Hoppe. Contains video arguably NSFW
Lori Goldston has just released a lowkey but wonderful album of cello improvisations recorded on the road in the RoI; she talks to Stevie Chick about her love for the instrument and the joy she felt playing live with Nirvana and Earth
In the first podcast from Kyiv's 20ft Radio, we're taken deep into the otherworldly folk sounds of the Ukrainian underground of the late 80s and early 90s. New Voices Ukraine is a collaboration between The Quietus, 20ft Radio, Neformat, the Ukrainian Institute and the British Council.
As he tours the third installment in his Cwmwl Tystion trilogy, an ambitious combination of jazz and folk music that explores Welsh national identity, culture and history, Tomos Williams tells Gail Tasker about the connections between Paul Robeson and the Welsh labour movement, reclaiming Wales' traditional music after centuries of repression, and confronting the ugly sides of his country's past
Multi-disciplinary artist Lola De La Mata speaks to Patrick Clarke about how her experience with severe tinnitus and vertigo, groundbreaking work in the field of audiology, and stigma around hearing loss in the musical community fed into her new album Oceans On Azimuth
As they surprise-release their first album in six years, the Bristol trio speak to Alastair Shuttleworth about how ambiguity, a Welsh farmhouse and a departed pet all played a part in their astonishing new music. Cover portrait by Andre Habermann
As ADULT. prepare to tour Europe, Nicola Kuperus and Adam Miller tell Daniel Dylan Wray about their 13 favourite albums drawn from the tough and leather side of life, from Throbbing Gristle to Nitzer Ebb, Einstürzende Neubauten to Drexciya
Suede's Simon Gilbert talks to Luke Turner about the band's new photobook documenting the madness of their early years, from ripped and stinking 70s shirt to tripping on acid while sat next to Dot Cotton in the BBC canteen. Exclusive photo extracts thanks to Suede.
Compass Point Studios, and its house band the Compass Point All Stars, were going to be Chris Blackwell and Island Records’ defining statement to the world. Instead, they provided Grace Jones’s. And that, says David Bennun, looking back at the three extraordinary records she made there between 1980 and 1982, is more than enough
With the imminent publication of his autobiography (co-authored with Paul Morley), Island Records founder Chris Blackwell talks to Matthew Ingram about recording sessions with Grace Jones, the importance of good cover art, and the trouble with U2
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