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Clear-sighted and well informed opinion on the culture of our past, present and future
On 3 December 1984, Wham! released a Christmas single that over the years would lose none of its power despite becoming a sonic monolith of the festive season. Ian Wade reflects on how the song has haunted his life, and the strange melancholy of a Christmas pop death.
In the latest edition of New Voices Ukraine, tQ's new collaboration with 20ft Radio, Neformat, the British Council and Ukrainian Institute, Yaryna Denysyuk continues her inquiry into the war's cultural front, and looks ahead to an uncertain and dangerous future
On the fiftieth anniversary of Nick Drake's death, Rob Chapman argues that his legacy has been let down by a culture that allows his mental health struggles to overshadow his art, and that turns his songs into fodder for wellness-adjacent twee whimsy
In the latest edition of New Voices Ukraine, tQ's new collaboration with 20ft Radio, Neformat, the British Council and Ukrainian Institute, Yaryna Denysyuk explores the Ukrainian musicians whose work has placed them on the cultural frontlines of the war, from 2014 to the present day
As the Universal Music Group gobbles up independent stalwart PIAS, music biz expert Eamonn Forde asks if this corporate greed suggests bleak times are ahead for the rest of the indie ecosystem
On the release of a new documentary on Dory Previn, Adelle Stripe explores an artist who learned to live with voices in her head, despite societal and institutional pressure to ignore them, and whose experiences demonstrate how female artists can seek a fulfilled creative life against the odds
40 years after it stormed to the UK number one, Wrongtom charts the history of ‘I Feel For You’, from an overlooked Prince album track to Chaka Khan’s smash hit, via Stevie Wonder, Patrice Rushen, glitching tape machines, the death of Sugar Hill Records and more
As London's Night Czar Amy Lamé leaves her job this week, Ed Gillett investigates her failures and successes, the increasing politicisation of her role, and whether alternative approaches offer any chance of doing better
Clubs are closing, a new generation is less keen on going out and bashing their bonces with garries – yet raving is discussed more than ever, with endless books and academic articles discussing the dancefloor as a utopia. Chal Ravens asks what this phenomenon tells us about the state of modern raving.
As Sonic Cathedral prepare for a run of birthday gigs and a box set release, founder Nat Cramp reflects on how shoegaze went from being a dirty word to darlings of Gen Z via a new generation of artists like Whitelands, pictured here. Have a listen to a specially-compiled Spotify playlist here.
The word 'ambient' is a misdirection worthy of the greatest illusionist, says John Doran, SAW2 is the work of a modern electronic composer, intent on destroying the boundaries between himself and the material of Cornwall which inspired him
Black Sky Thinking
As London's Night Czar Amy Lamé leaves her job this week, Ed Gillett investigates her failures and successes, the increasing politicisation of her role, and whether alternative approaches offer any chance of doing better
Black Sky Thinking
Clubs are closing, a new generation is less keen on going out and bashing their bonces with garries – yet raving is discussed more than ever, with endless books and academic articles discussing the dancefloor as a utopia. Chal Ravens asks what this phenomenon tells us about the state of modern raving.
Black Sky Thinking
As Sonic Cathedral prepare for a run of birthday gigs and a box set release, founder Nat Cramp reflects on how shoegaze went from being a dirty word to darlings of Gen Z via a new generation of artists like Whitelands, pictured here. Have a listen to a specially-compiled Spotify playlist here.
Black Sky Thinking
The word 'ambient' is a misdirection worthy of the greatest illusionist, says John Doran, SAW2 is the work of a modern electronic composer, intent on destroying the boundaries between himself and the material of Cornwall which inspired him
Troubled by facts that felt like fiction, Anna Doble feared Patrick Keiller's 1994 film might all be an in-joke. But, as she writes in this month's Low Culture Essay, it created a magic-real place that she would later explore through song.
In this month’s essay, Stephanie Phillips reflects on the 1998 lo-fi, art pop album Julie Ruin, in which riot grrrl veteran Kathleen Hanna reaffirms her position in feminist art, while creating the building blocks for a dance punk future
In this month's essay, Skye Butchard remembers their dad's collection of cassettes on which he recorded the 1981 radio version of Tolkien's classic to reflect on memory, archiving, and how familial relationships and loss are intrinsically bound up with the culture we share.
Half a century after the release of one of the all-time great live albums, John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale. This feature was first published on 2 April 2020
Low Culture Essay
Troubled by facts that felt like fiction, Anna Doble feared Patrick Keiller's 1994 film might all be an in-joke. But, as she writes in this month's Low Culture Essay, it created a magic-real place that she would later explore through song.
Low Culture Essay
In this month’s essay, Stephanie Phillips reflects on the 1998 lo-fi, art pop album Julie Ruin, in which riot grrrl veteran Kathleen Hanna reaffirms her position in feminist art, while creating the building blocks for a dance punk future
Low Culture Essay
In this month's essay, Skye Butchard remembers their dad's collection of cassettes on which he recorded the 1981 radio version of Tolkien's classic to reflect on memory, archiving, and how familial relationships and loss are intrinsically bound up with the culture we share.
Low Culture Essay
Half a century after the release of one of the all-time great live albums, John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale. This feature was first published on 2 April 2020
If you’ve read something you love on our site today, please consider becoming a monthly or annual tQ subscriber – our journalism is mostly funded this way. We’ve got some bonus perks waiting for you too.
Subscribe NowOn the fortieth anniversary of Welcome To The Pleasuredome, Toby Manning explores how Frankie Goes To Hollywood's debut was the album that owned 1984, thanks to its ability to inhabit the liminal space between the queer margins and the straight mainstream
50 years ago, John Cale found himself at Heartbreak Hotel, producing sweet and unhinged music from its rooms. Reassessing Fear, Slow Dazzle and Helen Of Troy, Darran Anderson explores the musician’s remarkable year-long burst of creativity for Island Records, half a century on
Anniversary
On the fortieth anniversary of Welcome To The Pleasuredome, Toby Manning explores how Frankie Goes To Hollywood's debut was the album that owned 1984, thanks to its ability to inhabit the liminal space between the queer margins and the straight mainstream
Anniversary
50 years ago, John Cale found himself at Heartbreak Hotel, producing sweet and unhinged music from its rooms. Reassessing Fear, Slow Dazzle and Helen Of Troy, Darran Anderson explores the musician’s remarkable year-long burst of creativity for Island Records, half a century on
Sade superfan Alex Macpherson celebrates the release of a career-spanning box set by selecting lesser known gems from their back catalogue
Your latest subscriber-exclusive music is a six-track collection of dizzying noise, punishing beats and crystalline electronics courtesy of Teeth Of The Sea's Mike Bourne, who tells Patrick Clarke about how he's stepping out on his own as Bruise Blood
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