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Clear-sighted and well informed opinion on the culture of our past, present and future
On the release of new documentary Since Yesterday: The Untold Story of Scotland's Girl Bands, Claire Sawers speaks to Sunset Gun's Lousie Rutkowski and The McKinleys' Jeanette Gallacher to explore how sisterhood – in both a biological and symbolic sense – was both crucial to their creativity, and a cause for their dismissal by the wider music industry
50 years ago, John Cale found himself at Heartbreak Hotel, producing sweet and unhinged music from its rooms. Reassessing Fear, Slow Dazzle and Helen Of Troy, Darran Anderson explores the musician’s remarkable year-long burst of creativity for Island Records, half a century on
Clubs are closing, a new generation is less keen on going out and bashing their bonces with garries – yet raving is discussed more than ever, with endless books and academic articles discussing the dancefloor as a utopia. Chal Ravens asks what this phenomenon tells us about the state of modern raving.
On the 50th anniversary of The Texas Chain Saw Massacre, Mat Colegate pushes back against the common consensus that its director Tobe Hooper spent the rest of his career merely failing to escape its shadow, and argues that he deserves just as much acclaim for the misunderstood filmography that was to follow
At odds with the world, with reality, with Britpop and with each other, Suede were in a terrible place as they wrote and recorded Dog Man Star. But, writes Matthew Lindsay, it's the album that would end up as their masterpiece. This feature was originally published in 2014
As Sonic Cathedral prepare for a run of birthday gigs and a box set release, founder Nat Cramp reflects on how shoegaze went from being a dirty word to darlings of Gen Z via a new generation of artists like Whitelands, pictured here. Have a listen to a specially-compiled Spotify playlist here.
The word 'ambient' is a misdirection worthy of the greatest illusionist, says John Doran, SAW2 is the work of a modern electronic composer, intent on destroying the boundaries between himself and the material of Cornwall which inspired him
Ahead of a 30th anniversary reissue, Darran Anderson casts a caustic eye over feverish cash-driven nostalgia for the big-hitters of 1994, reserving praise for Suede, who, despite the odds being stacked against them, got it exactly right with their second album
Karl Smith feels SOPHIE's absence most keenly in the many gaps on this posthumous guest contributor album
'Thread head' Jude Rogers has spent decades in thrall to the notorious nuclear war television drama as well as recent months researching and writing a new BBC Radio documentary on it. Here she writes about being a member of an international community of fellow, often neurodiverse, obsessives who find companionship within the horror of its devastating frame
The word 'ambient' is a misdirection worthy of the greatest illusionist, says John Doran, SAW2 is the work of a modern electronic composer, intent on destroying the boundaries between himself and the material of Cornwall which inspired him
Ahead of a 30th anniversary reissue, Darran Anderson casts a caustic eye over feverish cash-driven nostalgia for the big-hitters of 1994, reserving praise for Suede, who, despite the odds being stacked against them, got it exactly right with their second album
'Thread head' Jude Rogers has spent decades in thrall to the notorious nuclear war television drama as well as recent months researching and writing a new BBC Radio documentary on it. Here she writes about being a member of an international community of fellow, often neurodiverse, obsessives who find companionship within the horror of its devastating frame
In this month’s essay, Stephanie Phillips reflects on the 1998 lo-fi, art pop album Julie Ruin, in which riot grrrl veteran Kathleen Hanna reaffirms her position in feminist art, while creating the building blocks for a dance punk future
In this month's essay, Skye Butchard remembers their dad's collection of cassettes on which he recorded the 1981 radio version of Tolkien's classic to reflect on memory, archiving, and how familial relationships and loss are intrinsically bound up with the culture we share.
Half a century after the release of one of the all-time great live albums, John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale. This feature was first published on 2 April 2020
In this month's essay, Jim Gibson unpicks the cultural myths of the idyllic British countryside as he reflects on Duane Hopkins' 2008 film Better Things in the context of his own life in a rural working class community
In this month’s essay, Stephanie Phillips reflects on the 1998 lo-fi, art pop album Julie Ruin, in which riot grrrl veteran Kathleen Hanna reaffirms her position in feminist art, while creating the building blocks for a dance punk future
In this month's essay, Skye Butchard remembers their dad's collection of cassettes on which he recorded the 1981 radio version of Tolkien's classic to reflect on memory, archiving, and how familial relationships and loss are intrinsically bound up with the culture we share.
Half a century after the release of one of the all-time great live albums, John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale. This feature was first published on 2 April 2020
In this month's essay, Jim Gibson unpicks the cultural myths of the idyllic British countryside as he reflects on Duane Hopkins' 2008 film Better Things in the context of his own life in a rural working class community
Forty years on from its release – and with the band’s popularity in question more than ever – Wyndham Wallace returns to The Unforgettable Fire, U2’s incendiary denial of expectations and their first encounter with producers Brian Eno and Daniel Lanois. (This feature was originally published in 2014)
Recorded at King Crimson’s nadir, Red looked destined to be just another forgotten final album, its release playing second fiddle to Robert Fripp’s idiosyncratic “retirement”. 50 years later, its influence is immeasurable, the perfect distillation of what’s possible from a rock trio, says Jeremy Allen
Forty years on from its release – and with the band’s popularity in question more than ever – Wyndham Wallace returns to The Unforgettable Fire, U2’s incendiary denial of expectations and their first encounter with producers Brian Eno and Daniel Lanois. (This feature was originally published in 2014)
Recorded at King Crimson’s nadir, Red looked destined to be just another forgotten final album, its release playing second fiddle to Robert Fripp’s idiosyncratic “retirement”. 50 years later, its influence is immeasurable, the perfect distillation of what’s possible from a rock trio, says Jeremy Allen
Sade superfan Alex Macpherson celebrates the release of a career-spanning box set by selecting lesser known gems from their back catalogue