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Clear-sighted and well informed opinion on the culture of our past, present and future
As Sonic Cathedral prepare for a run of birthday gigs and a box set release, founder Nat Cramp reflects on how shoegaze went from being a dirty word to darlings of Gen Z via a new generation of artists like Whitelands, pictured here. Have a listen to a specially-compiled Spotify playlist here.
The word 'ambient' is a misdirection worthy of the greatest illusionist, says John Doran, SAW2 is the work of a modern electronic composer, intent on destroying the boundaries between himself and the material of Cornwall which inspired him
In the latest edition of New Voices Ukraine, tQ's new collaboration with 20ft Radio, Neformat, the British Council and Ukrainian Institute, Yaryna Denysyuk and Kseniia Yanus examine the radio stations, small events and music schools that are forming the heart of Ukraine’s underground music communities
Forty years on from its release – and with the band’s popularity in question more than ever – Wyndham Wallace returns to The Unforgettable Fire, U2’s incendiary denial of expectations and their first encounter with producers Brian Eno and Daniel Lanois. (This feature was originally published in 2014)
Recorded at King Crimson’s nadir, Red looked destined to be just another forgotten final album, its release playing second fiddle to Robert Fripp’s idiosyncratic “retirement”. 50 years later, its influence is immeasurable, the perfect distillation of what’s possible from a rock trio, says Jeremy Allen
Ahead of a 30th anniversary reissue, Darran Anderson casts a caustic eye over feverish cash-driven nostalgia for the big-hitters of 1994, reserving praise for Suede, who, despite the odds being stacked against them, got it exactly right with their second album
'Thread head' Jude Rogers has spent decades in thrall to the notorious nuclear war television drama as well as recent months researching and writing a new BBC Radio documentary on it. Here she writes about being a member of an international community of fellow, often neurodiverse, obsessives who find companionship within the horror of its devastating frame
Kat Lister hits the road in the footsteps of Wim Wenders, travelling from Brooklyn to North Carolina, in search of the meaning of instant photography, looking for answers about the transience of life and the ephemerality of art
Twenty years on from the release of his first Solo Piano album, Gonzales writes for tQ on his regret that the music he helped to bring into existence now provides easy fodder for streaming algorithms, and piles of cash for a lazy music business.
Ahead of an appearance at Skaņu Mežs festival in Latvia, Derek Walmsley assesses to what extent Ae are unique in the world of electronic music given their live shows represent a space of spontaneous creation while the release of live albums and radio sessions have started to feel as essential as their studio output... if not more so
'Thread head' Jude Rogers has spent decades in thrall to the notorious nuclear war television drama as well as recent months researching and writing a new BBC Radio documentary on it. Here she writes about being a member of an international community of fellow, often neurodiverse, obsessives who find companionship within the horror of its devastating frame
Kat Lister hits the road in the footsteps of Wim Wenders, travelling from Brooklyn to North Carolina, in search of the meaning of instant photography, looking for answers about the transience of life and the ephemerality of art
Twenty years on from the release of his first Solo Piano album, Gonzales writes for tQ on his regret that the music he helped to bring into existence now provides easy fodder for streaming algorithms, and piles of cash for a lazy music business.
Ahead of an appearance at Skaņu Mežs festival in Latvia, Derek Walmsley assesses to what extent Ae are unique in the world of electronic music given their live shows represent a space of spontaneous creation while the release of live albums and radio sessions have started to feel as essential as their studio output... if not more so
In this month's essay, Skye Butchard remembers their dad's collection of cassettes on which he recorded the 1981 radio version of Tolkien's classic to reflect on memory, archiving, and how familial relationships and loss are intrinsically bound up with the culture we share.
Half a century after the release of one of the all-time great live albums, John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale. This feature was first published on 2 April 2020
In this month's essay, Jim Gibson unpicks the cultural myths of the idyllic British countryside as he reflects on Duane Hopkins' 2008 film Better Things in the context of his own life in a rural working class community
In this month's essay, Skye Butchard remembers their dad's collection of cassettes on which he recorded the 1981 radio version of Tolkien's classic to reflect on memory, archiving, and how familial relationships and loss are intrinsically bound up with the culture we share.
Half a century after the release of one of the all-time great live albums, John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale. This feature was first published on 2 April 2020
In this month's essay, Jim Gibson unpicks the cultural myths of the idyllic British countryside as he reflects on Duane Hopkins' 2008 film Better Things in the context of his own life in a rural working class community
On March 10, 1997, Angus Batey was due to interview Biggie Smalls, a conversation that never took place after the rapper was fatally shot a day earlier. Here, he takes an in-depth look at the "masterpiece" that was the debut album from the hip hop luminary. This feature was first published on 11 September 2014
Ahead of a reissue of the classic Bronski Beat debut album Lesley Chow talks about one of the great pop albums of 1984
Medúlla is arguably the point at which Björk turned from creating pop to a journey into the radically obscure, but in reality it is one of the most fully realised examples of an artist pushing the boundaries of what pop music can be and do, writes Matthew Barton
On March 10, 1997, Angus Batey was due to interview Biggie Smalls, a conversation that never took place after the rapper was fatally shot a day earlier. Here, he takes an in-depth look at the "masterpiece" that was the debut album from the hip hop luminary. This feature was first published on 11 September 2014
Medúlla is arguably the point at which Björk turned from creating pop to a journey into the radically obscure, but in reality it is one of the most fully realised examples of an artist pushing the boundaries of what pop music can be and do, writes Matthew Barton
Sade superfan Alex Macpherson celebrates the release of a career-spanning box set by selecting lesser known gems from their back catalogue