Ahead of a set at this year’s OUT.FEST and off the back of superb new LP Ficar Vivo, Caveira's Pedro Gomes speaks to Stewart Smith about Lisbon’s storied experimental underground, the importance of dramatic dynamics on record, and the art of improvisation
Ahead of a set at this year’s OUT.FEST and off the back of superb new LP Ficar Vivo, Caveira's Pedro Gomes speaks to Stewart Smith about Lisbon’s storied experimental underground, the importance of dramatic dynamics on record, and the art of improvisation
Ahead of a show as part of EFG London Jazz Festival this month, saxophonist, composer and improviser James Brandon Lewis speaks to Stewart Smith about honouring the legendary gospel singer Mahalia Jackson, his unique compositional system Molecular Systematic Music and more
Ahead of a show as part of EFG London Jazz Festival this month, saxophonist, composer and improviser James Brandon Lewis speaks to Stewart Smith about honouring the legendary gospel singer Mahalia Jackson, his unique compositional system Molecular Systematic Music and more
In this month's antidote to the algorithm, Stewart Smith introduces us to the wildly diverse world of Scottish free jazz and improv, from a 70s Peel Session to the present day via Bill Wells (pictured above) and the Glasgow Improvisers Orchestra
In this month's antidote to the algorithm, Stewart Smith introduces us to the wildly diverse world of Scottish free jazz and improv, from a 70s Peel Session to the present day via Bill Wells (pictured above) and the Glasgow Improvisers Orchestra
In an epic Baker’s Dozen, Robert Aiki Aubrey Lowe lets Stewart Smith into the secrets of his Candyman soundtrack, and celebrates Black excellence from Don Cherry to Moor Mother, Olly W. Wilson to Pamela Z
In an epic Baker’s Dozen, Robert Aiki Aubrey Lowe lets Stewart Smith into the secrets of his Candyman soundtrack, and celebrates Black excellence from Don Cherry to Moor Mother, Olly W. Wilson to Pamela Z
"In a way I feel like a billionaire" says US composer and improvisor Anthony Braxton to Stewart Smith, in a wide-ranging and deep interview that touches on several new projects and his connections with an international vibrational family
"In a way I feel like a billionaire" says US composer and improvisor Anthony Braxton to Stewart Smith, in a wide-ranging and deep interview that touches on several new projects and his connections with an international vibrational family
The highly charged vocal manipulations of Holly Herndon, Katie Gately (pictured), Burial and The Knife, writes Alex Borkowski, are powerful expressions of our fast-evolving relationships with technology, space and our own bodies
Low Culture is a new series where tQ writers use lockdown time to pull some of their favourite music, films, games and books off the shelves in order to tackle an idea that's been bugging them for a long time. In the first instalment John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale