UFOs were once at the heart of popular culture and science fiction, with even an American president claiming he'd had a strange encounter. Jeremy Allen looks at the strange decline of the little green men, asking if it's a symptom of our troubled age
UFOs were once at the heart of popular culture and science fiction, with even an American president claiming he'd had a strange encounter. Jeremy Allen looks at the strange decline of the little green men, asking if it's a symptom of our troubled age
In the fourth (and supposedly final) instalment of Mick Harvey's Serge Gainsbourg albums, Jeremy Allen finds a fitting culmination to an unprecedented 22 years of dedication to the deceased French icon – not just a satisfying end, but a promising jumping off point, too
In the fourth (and supposedly final) instalment of Mick Harvey's Serge Gainsbourg albums, Jeremy Allen finds a fitting culmination to an unprecedented 22 years of dedication to the deceased French icon – not just a satisfying end, but a promising jumping off point, too
In the French electronic duo's third album, Jeremy Allen finds not only a a work that sets right any misstep that may have occurred between 2007's † and the present day, but also a potent commingling of their anachronistic mechanical workings with a touch of the human hand, reaching out
In the French electronic duo's third album, Jeremy Allen finds not only a a work that sets right any misstep that may have occurred between 2007's † and the present day, but also a potent commingling of their anachronistic mechanical workings with a touch of the human hand, reaching out
In Massive Attack's performance at this year's Rock en Seine festival in Paris, Jeremy Allen finds a performance that asks more questions than it answers and a timely mirror image to the uncertainty of our age. (Photographs by Christophe Crénel)
In Massive Attack's performance at this year's Rock en Seine festival in Paris, Jeremy Allen finds a performance that asks more questions than it answers and a timely mirror image to the uncertainty of our age. (Photographs by Christophe Crénel)
Following the release of his ninth novel, *The Reddening*, on Halloween, Sean Kitching talks to the three times August Derleth Award winning author about moving to his own imprint, the relationship between folk music and horror and the influence of South Devon’s landscape on his new book
Gary Numan may well be fully critically rehabilitated now but this wasn't the case fifteen years ago. Simon Price recalls meeting the synth hero who, even at his lowest ebb, brilliantly had little or no interest in making himself look good . . .
Don't let the naysayers drag you down - we are currently living in a great age for music in myriad, fractured forms. Many of them can be found here, in our reductive and subjective list of the Quietus' favourite albums of 2012