Support The Quietus
Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.
On March 10, 1997, Angus Batey was due to interview Biggie Smalls, a conversation that never took place after the rapper was fatally shot a day earlier. Here, he takes an in-depth look at the "masterpiece" that was the debut album from the hip hop luminary. This feature was first published on 11 September 2014
On March 10, 1997, Angus Batey was due to interview Biggie Smalls, a conversation that never took place after the rapper was fatally shot a day earlier. Here, he takes an in-depth look at the "masterpiece" that was the debut album from the hip hop luminary. This feature was first published on 11 September 2014
It was supposed to be the moment where the most misunderstood woman in pop got to explain herself and empower her audience: but the release was cancelled and within months she was dead. Angus Batey revisits Lisa Lopes's debut and rediscovers a forgotten treasure
It was supposed to be the moment where the most misunderstood woman in pop got to explain herself and empower her audience: but the release was cancelled and within months she was dead. Angus Batey revisits Lisa Lopes's debut and rediscovers a forgotten treasure
In the second edition of our crime fiction column, Angus Batey reviews new books from John Barlow, James Lee Burke, Nickolas Butler, James Ellroy, Paula Hawkins, and others, while Enrico Monacelli tackles Joseph Knox's latest and the new unfinished book in podcast form from Bret Easton Ellis
In the second edition of our crime fiction column, Angus Batey reviews new books from John Barlow, James Lee Burke, Nickolas Butler, James Ellroy, Paula Hawkins, and others, while Enrico Monacelli tackles Joseph Knox's latest and the new unfinished book in podcast form from Bret Easton Ellis
Angus Batey finds permanence in a record that is often seen as a document of fleeting change and talks about "Hevvo"'s contentious reputation, slammed by Bill Drummond as "dull as ditchwater" in 45 and held up as art for the ages by Cathi Unsworth in Weirdo
Angus Batey finds permanence in a record that is often seen as a document of fleeting change and talks about "Hevvo"'s contentious reputation, slammed by Bill Drummond as "dull as ditchwater" in 45 and held up as art for the ages by Cathi Unsworth in Weirdo
Half a lifetime ago, an Armenian exiled to London set the template for today's DIY musicians and raised a standard that British rap has rarely reached since. Angus Batey had a ring-side seat while Blade fought to make himself heard: he looks back on a landmark in the history of independent music
Half a lifetime ago, an Armenian exiled to London set the template for today's DIY musicians and raised a standard that British rap has rarely reached since. Angus Batey had a ring-side seat while Blade fought to make himself heard: he looks back on a landmark in the history of independent music