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Our series of articles curated by Kevin 'The Bug' Martin continues with a Baker's Dozen from Mika Vainio, solo artist and former member of Pansonic. He tells us about how the likes of Suicide, Neubauten, the Alex Harvey Band, King Crimson and more soundtracked a life of working in slaughterhouses and vegetarian restaurants
Our series of articles curated by Kevin 'The Bug' Martin continues with a Baker's Dozen from Mika Vainio, solo artist and former member of Pansonic. He tells us about how the likes of Suicide, Neubauten, the Alex Harvey Band, King Crimson and more soundtracked a life of working in slaughterhouses and vegetarian restaurants
Ahead of their performance at Berlin Atonal this week, Albert Freeman catches up with Peter Van Hoesen and Yves De Mey, to discuss the exploratory impulses that feed into the jagged techno landscapes of their collaborative project Sendai
Ahead of their performance at Berlin Atonal this week, Albert Freeman catches up with Peter Van Hoesen and Yves De Mey, to discuss the exploratory impulses that feed into the jagged techno landscapes of their collaborative project Sendai
Initially founded in 1982, Berlin's Atonal Festival was relaunched last year. Ahead of the 2014 edition, which starts this week, Albert Freeman speaks to the organisers, including Atonal and Tresor founder Dimitri Hegemann, about over three decades of musical innovation in the city
Initially founded in 1982, Berlin's Atonal Festival was relaunched last year. Ahead of the 2014 edition, which starts this week, Albert Freeman speaks to the organisers, including Atonal and Tresor founder Dimitri Hegemann, about over three decades of musical innovation in the city
Oren Ambarchi is set to open Unsound New York this week with a performance of his composition Knots, and another show scheduled for Sonar in June. He speaks to Albert Freeman about a renewed interest in rhythm, his forthcoming Knots record on PAN, and composing music for dance and theatre
Oren Ambarchi is set to open Unsound New York this week with a performance of his composition Knots, and another show scheduled for Sonar in June. He speaks to Albert Freeman about a renewed interest in rhythm, his forthcoming Knots record on PAN, and composing music for dance and theatre
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