Weird Still Spills: Stella Mozgawa Of Warpaint's Favourite Albums | Page 10 of 14 | The Quietus

Baker's Dozen

Artists discuss the 13 records that shaped their lives

9. Silver ApplesSilver Apples

I was 20 years old when I moved from Sydney to New York City and everything was painfully exciting. Shortly after arriving, I met a guy who’d just broken up with his long-term girlfriend (not exactly true) and we started seeing each other as I was a bright-eyed, bushy-tailed, naive little crumpet. I was pretty besotted, he would rip stacks of amazing records for me, totally opened my eyes to a load of Krautrock bands like Can, NEU! and Popol Vuh. This record was one of the many in the pile and was just so compelling – just the one record from these guys? Were they another band from Cologne? The cover was elementary, the music way more psychedelic, jammy and for lack of a better word, sounded like techno. In my mind, this is where it all began. The drumming wasn’t as motorik as I had expected, it was spacious and meditative. They were just two oddballs from New York, it’s 1968 and they were veritable pioneers. Kraftwerk before Kraftwerk. I still hear Danny Taylor’s distinctive snare patterns in modern electronic music. I’ve stolen so much from him. One of the coolest bands of all time.

Selected in other Baker’s Dozens: Rocket Girl, Yann Tiersen, Pete Fowler, , Moby
PreviousNext Record

Don’t Miss The Quietus Digest

Start each weekend with our free email newsletter.

Help Support The Quietus in 2025

If you’ve read something you love on our site today, please consider becoming a tQ subscriber – our journalism is mostly funded this way. We’ve got some bonus perks waiting for you too.

Subscribe Now