Music Is Not Sport: Nils Frahm's Favourite Albums | Page 8 of 14 | The Quietus

Baker's Dozen

Artists discuss the 13 records that shaped their lives

7. Penguin Café OrchestraOskar Und Leni

As someone always being considered as a "new classical" artist, I always want to praise them for really being the first ones who used classical instruments in a band context. Brian Eno really had a good call on producing them. I think that a lot of people also refer to Rachel’s as being the first sign of new classical music but these guys were much earlier and I feel like they really achieved a lot by treating it like a band. It’s not about having this instrument and this instrument but they wrote the music for the collective.

There are other classical musicians who are the same as [Tia] Fuller’s quartet, who are a really strong band in a way, but then they don’t write so much original music. Penguin Orchestra always played their own music – so they were really clearly a band, but they used very classical and uncommon instruments. So they were doing what we’re doing… but a long, long time before we did.

A lot of people don’t know that new classical music was first [performed] by Stravinsky; Stravinsky was the new classical. But new classical is the wrong term – I never liked it, but I’m stuck with it now; give me something cool like "neo jazz".

PreviousNext Record

The Quietus Digest

Sign up for our free Friday email newsletter.

Support The Quietus

Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.

Support & Subscribe Today