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Massimo Pupillo feat. Malcolm McDowell — Songs Of Stone

House Of God To Mark 30th Anniversary With Charity Compilation

Personal Anthems: An Interview With Heinali

Natalia Beylis and Eimear Reidy — She Came Through the Window to Stand By the Door

The Act Of Ruminating: An Interview With Sophie Mackintosh

Many Infinities: The Vital Canvases of Lynette Yiadom-Boakye

Godflesh Detail New Album, ‘PURGE’

De La Soul’s Albums Are Now Available On Streaming Services

Glastonbury Confirms First Wave Of Acts Playing 2023 Event

Hide And Seek: Pakistan’s Remarkable Joyland

Spektral Quartet, Julia Holter, Alex Temple — Behind the Wallpaper

Reissue Of The Week: Felt’s Gold Mine Trash & Bubblegum Perfume

Upsammy Details New Album, ‘Germ In A Population Of Buildings’

Pulp’s Steve Mackey Has Died, Aged 56

SHAPE+ Platform Announces Artists’ Open Call

Green Man Reveals First Acts For 2023 Edition

Cloudy With A Chance Of Glowsticks: Kate NV’s WOW

Free Love — Inside

Stop, Collaborate And Listen: Meg Remy’s Favourite Albums

Max Syedtollan — Disposables

Fabric Reveals EXODUS Festival Location

A Man’s Job: Asif Kapadia And Akram Khan On Creature

tQ’s Exclusive Monthly Round-Up Playlist: February 2023

Supersonic Festival Announces 20th Anniversary Edition

Benefits Sign To Invada And Detail Debut Album, ‘Nails

Columnfortably Numb: Psych Rock For March Reviewed By JR Moores

Miss Grit — Follow The Cyborg

How Vic & Bob’s Mulligan & O’Hare Got Me Into Experimental Music, By Jennifer Lucy Allan

Luke Vibert — Machine Funk

Piano Day Returns For 2023 Edition

Strong Silent Type: Ruth Wolf-Rehfeldt Configures Language, Art & Politics

Deformed! Regis On Some Bizzare

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Connections Made: An Interview With Anna Meredith

Having written pieces meant for sleeping individuals to orchestral works heard by millions, the Scottish composer has now released her debut LP. She tells Nicola Meighan why she feels a sense of accountability with Varmints

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