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Pangaea Details New Album, ‘Changing Channels’

Sparklehorse Album, ‘Bird Machine’, To Be Released Posthumously

Passion Always Wins: Kate Bush In 1978

Rockfort! French Music For June Reviewed By David McKenna

Wobbly — Additional Kids

Sigur Rós Share First Single In Seven Years, ‘Blóðberg

Sacred Bones Unveils Mort Garson Archival Compilation

Martin Duffy’s Son Criticises Primal Scream In Inquest Letter

INTERVIEW: Daisy Dickinson Talks The Comet Is Coming Collaboration

Caterina Barbieri — Myuthafoo

Abandon Hope: Legss Interviewed

SHAPE+ Partners With Tbilisi’s Mutant Radio For Event

GAIKA Details New Album, ‘Drift’

Chris & Cosey Reveal Three Limited Edition Vinyl Reissues

Lost And Found: An Introduction To Andrew Poppy By Paul Morley

Low Culture Podcast: The Stone Tape

Bigger Than Jesus: The God Phone By Lunch Money Life

Colleen Details New Album, ‘Le Jour Et La Nuit Du Réel’

PJ Harvey Shares New Single, ‘I Inside The Old I Dying’

Turin’s C2C Festival Unveils Second Wave Of 2023 Artists

Primal Scream Reveal Archive Album, ‘Reverberations (Travelling In Time)’

The Strange World Of… Crass Records

WITCH — Zango

Gazelle Twin Signs To Invada Ahead Of New Album’s Release

Spool’s Out: Cassette Reviews For June By Daryl Worthington

Shirley Collins — Archangel Hill

Brian Eno Announces First-Ever Solo Tour

UK Government Launches Plans To Investigate Fair Pay For Artists

Face The Spectrum: Poland’s New Young Experimental Composers

What Are We Rejecting When We Reject St. Anger? Metallica’s Mid-Life Crisis At Twenty

Decisive Pink — Ticket To Fame

Ukraine’s Construction Festival Partners With SHAPE+ Initiative For 2023

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