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Jane Savidge was the co-founder and head of public relations company Savage & Best who looked after Pulp during their late 90s pomp. In an exclusive extract from her new book for Bloomsbury’s 33 1/3 series, she picks apart the tricky sexual politics of the group’s notorious cover art for *This is Hardcore*
Twenty-five years ago, Ian MacMillan was an arts writer and TV producer witnessing the madness of the YBA's Sensation exhibition first hand. Looking back, he argues it was representative of a shallow yet maximalist moment in British culture
25 years ago, Jude Rogers had her life changed somewhere in a field near Pilton. On the 50th anniversary of the first Glastonbury weekend, she reflects on the sunny days of 1995, lamenting the loss of the communal live experience in the Coronavirus summer of 2020
Sod the first few EPs, we say a band's real hidden gems are buried at the end, among the ill-advised career moves and last grasps at fading relevance. Here, tQ writers fight the corner for their favourite unloved and underrated records from the tail-end of their favourite artists' discography.
The mainstream media are currently engaged in a collective misty-eyed throwback to the 'glory days' of the mid 90s. Luke Turner, who was a teenager at the time, argues that the current canonisation of Britpop is as musically and socially conservative as 1960s nostalgia
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