As Hyperdub head honcho, Kode9 (aka Steve Goodman), announces his new album named, about, and inspired by nothing, we take a look through some of the artistic precedents for Goodman’s minimalist inspiration, from sculpture to painting and performance
As the dizzying syncopations of Chicago footwork have spread across the globe over the last couple of years, DJ Rashad has become one of its primary ambassadors. With a new EP recently released through Hyperdub, he speaks with Charlie Frame about sample slicing and versatility. This article was originally published May 2013, republished following the sad passing of DJ Rashad in April 2014
At the end of an exhausting year in club music, Rory Gibb reflects back upon 2013 on and off the dancefloor, and considers some of the political, social and technological issues facing the dance music community in the near future
Robert Barry explores the growing ubiquity of the warning siren in popular culture, all the way from When Worlds Collide to Jason Derulo's 'Don't Wanna Go Home', via hip hop, the rave explosion, sonic weaponry and the panic sonics of contemporary pop
Dusk & Blackdown's new album Dasaflex is a seamless synthesis of the last near-decade's worth of UK dancefloor innovation, from garage and grime through dubstep and funky. They speak to Rory Gibb about finding new twists on established formulae
While there's nothing wrong with a Prince hits anthology or two, this doesn't even begin to tell the story. Petra Davis, Joe Stannard, Al Denney, Wyndham Wallace, David Moats and John Tatlock choose their favourite non-single tracks... (republished 21st April 2016 - RIP Prince)
Recently there has been much ado about Dark Side Of The Moon, but significantly less fuss made about The Final Cut. David Bennun examines how we got from one to the other in a single decade and how the current split at the heard of Pink Floyd represents the divide between crank leftism and centrist Dadism