If you read something you love on our site today, please consider becoming a monthly or annual tQ subscriber – our journalism is mostly funded this way. We’ve got some bonus perks waiting for you too.
As Hyperdub head honcho, Kode9 (aka Steve Goodman), announces his new album named, about, and inspired by nothing, we take a look through some of the artistic precedents for Goodman’s minimalist inspiration, from sculpture to painting and performance
As the dizzying syncopations of Chicago footwork have spread across the globe over the last couple of years, DJ Rashad has become one of its primary ambassadors. With a new EP recently released through Hyperdub, he speaks with Charlie Frame about sample slicing and versatility. This article was originally published May 2013, republished following the sad passing of DJ Rashad in April 2014
At the end of an exhausting year in club music, Rory Gibb reflects back upon 2013 on and off the dancefloor, and considers some of the political, social and technological issues facing the dance music community in the near future
Robert Barry explores the growing ubiquity of the warning siren in popular culture, all the way from When Worlds Collide to Jason Derulo's 'Don't Wanna Go Home', via hip hop, the rave explosion, sonic weaponry and the panic sonics of contemporary pop
Dusk & Blackdown's new album Dasaflex is a seamless synthesis of the last near-decade's worth of UK dancefloor innovation, from garage and grime through dubstep and funky. They speak to Rory Gibb about finding new twists on established formulae
If you’ve read something you love on our site today, please consider becoming a monthly or annual tQ subscriber – our journalism is mostly funded this way. We’ve got some bonus perks waiting for you too.
Subscribe Now
Sign up for a weekly delve into the tQ archives.
