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As Holly Herndon releases her second album proper, Platform, Christian Eede speaks to her about drawing on personal experiences and why collaboration is important to offering an optimistic alternative to cynicism. All photographs by Al Overdrive
The highly charged vocal manipulations of Holly Herndon, Katie Gately (pictured), Burial and The Knife, writes Alex Borkowski, are powerful expressions of our fast-evolving relationships with technology, space and our own bodies
How might electronic music sound in a post human future? Robert Barry enlists the help of Holly Herndon, James Bridle and Conrad Shawcross to explore radical new directions in computer music, from live programming and Algorave to the digital overloads of Black Midi
Brooklyn-based composer/performer Ashley Paul's work ranges from texturally exploratory songwriting to jarring improvisation. Fellow US musician Holly Herndon speaks with Paul about musical dualities and the coexistence of different approaches