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Baker's Dozen

Psychic Hi-Fi: Genesis Breyer P-Orridge's Favourite Albums
Joseph Burnett , January 23rd, 2014 06:53

The Quietus catches up with Genesis Breyer P-Orridge to hear about the albums that forced the hand of h/er record player

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Hapshash And The Coloured Coat - Featuring The Human Host And The Heavy Metal Kids
Do you think it’s an unusual list?

Sort of, but I remember when we last spoke, I said that, contrary to what I’d imagined, you do come across as a bit of a hippie! Or at least deeply psychedelic.

Well, I grew up in the sixties. In 1962, I bought the first Rolling Stones single, and I still have it. I still have every single they released, in order, right up until Brian Jones was murdered. I saw Pink Floyd god knows how many times, and even did a couple of light shows for them...

We started listening to pirate radio and John Peel’s Perfumed Garden, and had a friend at school called Spidey who was very good at spotting interesting new music. John Peel was the first person to play The Velvet Underground, and Spidey said, “Listen to this, you’re gonna love this!”. That’s when we got the first violin.

We used to go to Birmingham, to this tiny little record shop that had nothing of interest except some Albert Ayler and free jazz. There was a record in there, and we recognised the artwork from Oz magazine so we knew it was by Hapshash and The Coloured Coat, because they used to do psychedelic posters and Oz. So we bought it just because of that. It was on Magnet Records. When we pulled out [the disc], we were shocked to see that it was on red vinyl, which we’d never seen before. We later discovered that all these people on the scene in London wanted to raise money for the legals fees of John “Hoppy” Hopkins, the first person who’d been busted for drugs and who co-founded the International Times. He was a real mover and shaker of the times. It’s like twenty to a hundred people high on acid jamming! We fell in love with it and still listen to it all the time. When we DJ, people come up to us and ask, “What was that with that great riff?” Guess what one of them ended up doing? Writing “We Are The Wombles”! That really got me in the head, that was worse than a bad acid trip!

Mike Batt! He also wrote the music for William Hague’s campaign…

Oh no! How could he go from Hapshash to that! That’s disappointing to say the least. Michael Batt, what a twat! I didn’t even like The Wombles...


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