Catch up on our latest writing.
Liars have always been masters of mixing a boggling array of influences into a music that's unhinged, inventive and powerful. Here, Angus Andrew guides us through 13 of his favourite LPs, running the gamut from hip hop to smooth jazz and The Cure
Ahead of the Quietus writers' list of favourite religious and spiritual records, published later this week, Rev. Rachel Mann explores the many roles that holy music continues to play in an increasingly secular society, and explains why it remains an important and affecting force
Richmond Fontaine frontman Willy Vlautin talks to John Freeman about his new music project, The Delines, and why latest new novel The Free almost put him "in a sanitarium". We also have an exclusive stream of Colfax, the new Delines album
Visiting the two currently-running plays, Jessie Thompson considers critiques of Capitalism, Conservative ideologies and the self-serving class system in Alan Ayckbourn's A Small Family Business and Julian Mitchell's Another Country, finding them still dishearteningly relevant thirty years later
Sponsorship by a disgusting sweet and milky booze might make it superficially seem rather naff, even obvious and sexist, but the Baileys Women's Prize For Fiction is still unfortunately necessary, argues Stephanie Boland
The mainstream media are currently engaged in a collective misty-eyed throwback to the 'glory days' of the mid 90s. Luke Turner, who was a teenager at the time, argues that the current canonisation of Britpop is as musically and socially conservative as 1960s nostalgia
On their 30th anniversary - with an appearance at Oya Festival booked and a new album ready for release - John Doran looks beyond the murder, the suicide, the extremism and the immolation, and talks to Mayhem's founder Necrobutcher about their radical music and nothing else