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Bob Mould

Patch The Sky

‘Til We All Get Off: The Strange World Of… Deftones

Having overcome drug habits, label interference and the death of their bassist, Deftones have certainly grown up in 21 years of releasing albums. But Gore shows that they’ve not lost any of their electric energy. Mike Diver gets the full story from Chino Moreno

Connections Made: An Interview With Anna Meredith

Having written pieces meant for sleeping individuals to orchestral works heard by millions, the Scottish composer has now released her debut LP. She tells Nicola Meighan why she feels a sense of accountability with Varmints

Catherine Christer Hennix

Central Palace Music/Live At Issue Project Room

Columnus Metallicus: April In Heavy Metal By Dean Brown

Daemonic Dean Brown brings you all the very best from the length, breadth and Satanic depth of Heavy f'in Metal

Drone And Dusted: Tony Conrad Interviewed

Republished with the sad news of his passing, Albert Freeman talks to the godfather of drone music about his collaboration with Faust and playing Outside The Dream Syndicate for perhaps the last time

Try To Altar Everything: Genesis Breyer P-Orridge At The Rubin Museum

For h/er latest exhibition, the art provocateur and pioneer of industrial music Genesis Breyer P-Orridge explores ritual, devotion and cut-up body transformation

Digressing Into Daydream: Mark Cousins’ I Am Belfast Reviewed

Tim Cooke takes a stroll through documentary maker Mark Cousins' cinematic hymn to the great city

Pere Ubu

Architecture Of Language 1979-1982

The Comet Is Coming

Channel The Spirits

Feel The Payne: The (Mostly) Tragic History Of Video Game Adaptations

He watches them so we don't have to: Sep Gohardani looks back over the ignominious history of the video game adaptation

The Lead Review: Rob Arcand On Tim Hecker’s Love Streams

Released this week on 4AD, Tim Hecker's latest album is inspired by 15th century avant-classical orchestration. Rob Arcand explores its themes of death, spirituality and its ecstasy of submission

Venetian Snares

Traditional Synthesizer Music

Escape To The Country: Willy Vlautin Of Richmond Fontaine’s Favourite LPs

Following the release of Richmond Fontaine's tenth and final album, You Can't Go Back If There Is Nothing To Go Back To, the singer and author talks to John Freeman about his favourite albums of storytelling escapism

Smack Down: EYEHATEGOD Versus Iron Monkey & The Heaviest LP Of 1996

Twenty years ago New Orleans' EYEHATEGOD and Nottingham's Iron Monkey were locked into a race to produce the heaviest album ever. Dan Franklin revisits Iron Monkey's self-titled debut and Dopesick

Andrew Bird

Are You Serious

Nomad For It: Tuareg Rock Star Bombino Interviewed

Jeremy Allen catches up with the Tuareg guitar hero in Paris to talk about his love for Hendrix (not to mention Knopfler) and the invention of "Tuareggae"

True Faith: An Interview With Susanna

The Norwegian vocalist and composer tells John Freeman why her captivating eleventh album, the 22-track opus Triangle, was recorded out of a desire to discover where "common sense ends and belief starts"

Ital Tek

Hollowed

Kiran Leonard

Grapefruit

Full Clip: The Best Hip Hop Albums & Mixtapes Reviewed by Gary Suarez

Stop trying to convince yourself that The Life Of Pablo wasn’t utter trash and allow Gary Suarez to guide you towards something else

Behold! April’s Quietus Comics Round Up

Time travel back to 2006 with Daniel Clowes or to Biblical times with Chester Brown – the choice (or chance to do both) is yours with Pete Redrup & co’s selection of comics this month

Analyse That: Mark Wallinger’s Monsters From The Id

With his new show currently occupying both of Hauser & Wirth’s Savile Row galleries, Craft/Work talks to British artist Mark Wallinger about analysis and its many resistances

Richard J. Birkin

Vigils

The Lead Review: Mick Middles On Gnod’s Mirror

Where to go? What to do next? And why? Mick Middles assesses the latest output from the Salford group, out tomorrow on Rocket Recordings

How Was It For You? Tim Booth Of James’ Favourite Albums

After the release of James' Girl At The End Of The World, lead singer Tim Booth tells John Freeman about clandestine childhood listening and the redemptive powers of Iggy Pop in choosing the LPs that "saved his life"

The Second Summer Of Hate: NOISE ROCK NOW!

Carrying on Noise Rock Week, Noel Gardner looks to the current day and constructs a fearsome primer for the fans of the sludgy, lo-fi, ear-disrespecting... and modern. GNOD portrait by Sam Huddlestone

In Pieces: Rockfort Interviews Perrine En Morceaux

David McKenna speaks to Perrine En Morceax about time, anger and BPMs, and brings you the first in a series of Rockfort mixes featuring recent French releases and reissues. Portrait courtesy of Loic H. Rechi

The Sound Of Impact: Noise Rock In 1986

So here's a question: was noise rock healthier in 1986 than it is today in 2016? Noel Gardner spends today and tomorrow trying to answer this question. Today - here's his overview of 12 months of noise rock three decades ago

Träd, Gräs Och Stenar

Träd, Gräs Och Stenar Boxset

Zayn

Mind Of Mine

Underworld

Barbara Barbara, We Face A Shining Future