Catch up on our latest writing.
Ahead of their appearance across Le Guess Who? festival in Utrecht this November Terrie Hessels, Katherina Bornefeld, Andy Moor and Arnold de Boer of The Ex sit down with Noel Gardner to talk about the importance of Ethiopian music. Features exclusive Fendika track
Wolfgang Voigt's ambient techno project turns 20 this year and is celebrated by a new box set on Kompakt. Long term fan David Stubbs sees Gas as a bridge between Krautrock and "the great dancefloor movements of the late 20th/early 21st century"
Diamonds And Pearls may have been the first Prince album to feature The New Power Generation but it also marked the period where he began falling from critical favour. It is, however, an album that has aged extremely well, argues Lesley Chow. [NB: This feature was written before Prince's untimely death earlier this year]
To mark the Halloween release of his own first collection of short stories, Some Will Not Sleep: Selected Horrors, horror novelist and genre aficionado, Adam Nevill, selects a Baker’s Dozen of his favourite short stories from contemporary writers in the field of modern horror. As with Nevill’s 2015 filmic Baker’s Dozen, fans of the genre are going to find an abundance of suggestions to work through on this list. (Written by Adam Nevill, as relayed to Sean Kitching)
With the imminent release of his score for Arrival, the latest in a now thriving partnership with Denis Villeneuve that will see him take on Blade Runner next year, the Icelandic composer shows traditional reluctance in crafting a list of defining albums and opts instead of 13 works that exemplify a philosophy of minimal gestures with maximum impact
In revisiting The Afghan Whigs' 1996 album, Aug Stone speaks to Greg Dulli about its creation, finding not only their masterpiece — exceeding the oft-touted Gentlemen — but also the band's soul record. (Photograph by Danny Clinch)
Featuring improvised analogue techno from France, abstract sounds from Hungary, scarred giallo noise from Italy plus some Canadian jaw harp and Russian free-punk, Tristan Bath goes against the grain of Brexit Britain with another month reviewing the best international tape releases
Attending London's recent Felebration — a fairly Ronal portmanteau celebrating the life and work of Fela Kuti — Lottie Brazier finds a performance rightly reverent of history even as it creates new meaning for all involved, and an event which, in our current Right-lurching climate, is both necessary and in danger of disappearing