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Virtual Reality has been hailed as the future of entertainment since back in the 1980s. In 2016, however, VR technology is finally coming of age, bringing with it tantalising ideas of how we might consume music in the future thanks to forward-thinking indie artists like Ash Koosha and Bjork
Tristan Bath looks into the sparsely populated world of Jessy Lanza's Oh No, finding a record that manages to be insular without narcissism, that nods to history without being consumed by it, and that's swathed in the light of pop without bowing to its darker contemporary failings