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Marty's magnanimous return with The Irishman marks a triumphant reunion among greats. Robert De Niro, Joe Pesci, Al Pacino form the main trio – but there's more to be said about Scorsese's relationship with Harvey Keitel, finds Brogan Morris
Thirty years on from the anniversary of the fall of the Berlin Wall, Beate Peter remembers a childhood where music was an escape from the strictures of Communism and punk gigs in churches were subversive acts and asks, what needs to happen to complete the process of reunification? Photo of Di Toten Hosen at a church gig by Mark Reeder
Coming just a year after Mark E Smith's death, Cherry Red's wonderful reissue of Hex Enduction Hour and Paul Hanley's engrossing book, Have A Bleedin Guess, forced John Doran to reassess the most notorious lyric in The Fall's four decade long career
As Simply Red release a new album, Mick Hucknall talks about what he considers the “perfect and complete” albums that inspired him, defined his approach to making music, and taught him how to be in a band. Also, about how he thrilled he was to be cock-blocked by Miles Davis. Photo by Dean Chalkley
Yes they probably invented folk rock but also, on their landmark third album, Fairport Convention, presented a view of England that has now been lost... one of violent division along lines of class and gender but one that was also positive and questing, says Michael Hann
Agnès Gayraud makes pop music under the name La Féline but she is also a philosopher, and her latest book The Dialectic of Pop, newly published by Urbanomic, explores the theory behind the music we love. She talks to David McKenna about Adorno, Hegel, and writing pop songs inspired by science fiction
Underground veterans 65daysofstatic are back with a new album diving deep into the state we're now in. Here, Paul Wolinski makes the case for staying inspired and creative under the impecunious trials of late capitalism