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Album of the Week
Dulce et Indecorum: Throbbing Gristle in Berlin
A new boxset from England's notorious "wreckers of civlization" gathers together live recordings and unreleased studio material from the time of their brief mid-00s reunion. Dale Cornish finds the group as wonderfully indigestible as ever
Baker's Dozen
Pogue’s Gallery: Spider Stacy’s Favourite Albums
As he prepares for more post-Shane MacGowan shows with The Pogues following a triumph in Hackney earlier this year, Spider Stacy takes Patrick Clarke through 13 records that shaped him, from post punk classics through to the new wave of folk music, via jazz, hip hop, roots reggae and more
Anniversary
Transcendental Cheap Magic: Wham!’s ‘Last Christmas’ At 40
On 3 December 1984, Wham! released a Christmas single that over the years would lose none of its power despite becoming a sonic monolith of the festive season. Ian Wade reflects on how the song has haunted his life, and the strange melancholy of a Christmas pop death.
Music Downloads
tQ Subscriber Release: Bruise Blood
Your latest subscriber-exclusive music is a six-track collection of dizzying noise, punishing beats and crystalline electronics courtesy of Teeth Of The Sea's Mike Bourne, who tells Patrick Clarke about how he's stepping out on his own as Bruise Blood
Baker's Dozen
Youthful Discovery: Objekt’s Favourite Albums
Following the launch of his Kapsela label and the recent release of a new two-track EP, the Berlin-based DJ and producer talks singing Tears For Fears at karaoke as a child and teenage discoveries of Autechre, Björk, At The Drive-In and much more
Opinion & Essays
Music and Wartime in Ukraine, Part Two: Our Choice, Our Future
In the latest edition of New Voices Ukraine, tQ's new collaboration with 20ft Radio, Neformat, the British Council and Ukrainian Institute, Yaryna Denysyuk continues her inquiry into the war's cultural front, and looks ahead to an uncertain and dangerous future
Black Sky Thinking
Beyond the Black Eyed Dog: Why Nick Drake Deserves more than ‘Indiefication’
On the fiftieth anniversary of Nick Drake's death, Rob Chapman argues that his legacy has been let down by a culture that allows his mental health struggles to overshadow his art, and that turns his songs into fodder for wellness-adjacent twee whimsy
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