Robert Davidson hails the art of growing old disgracefully as exemplified on the second and (so far) final Grinderman album
In this month’s antidote to the algorithm Mat Colegate rips it to shreds with the ‘orrible racket that emerged in the early-80s, from S.P.K to Ramleh, Whitehouse and 23 Skidoo (pictured)
The New Jersey-born, New York-based 'multidisciplinary propagandist' weaves non-Western sounds into a potent critique of the West's exoticising gaze, finds Aydin Khalili
Following the release of his excellent new album, the acclaimed poet, musician, novelist and playwright shares the music that shaped his life – from Nina Simone to Gravediggaz
From improvisations that capture the archaeology of the internet to werewolf inspired black metal played with Cajun instruments, roaming synths, sidewinding freakouts and clipped nails, Daryl Worthington dives into the latest cassette releases
From improvisations that capture the archaeology of the internet to werewolf inspired black metal played with Cajun instruments, roaming synths, sidewinding freakouts and clipped nails, Daryl Worthington dives into the latest cassette releases
Dean Brown revisits the stoner rock giants' flawed but rewarding swan song. Originally published 13/02/2015
As a teenager, Denzil Bell felt that his religious beliefs and his love of grime were incompatible – until he heard the lyrics of Ghetts and Stormzy. As Ghetts releases a new LP, Bell explores the relationship between Christianity and grime
In an exclusive edited extract from Niko Stratis’s new book The Dad Rock That Made Me A Woman, the award-winning Canadian writer explores trans identity, the music of the American heartlands and how the Boss changed her life for good
Burning Down the House by Jonathan Gould tells the story of the American new wave band and the fertile scene they came up with, but does the book risk reducing the city and everyone in it to a backdrop for the group's mercurial lead singer? asks Elizabeth Wiet