Catch up on our latest writing.
On the verge of Essex Honey, his first Blood Orange album in six years, Dev Hynes reflects on the tenderness of return and shares with Francis Buseko the 13 albums that shaped his homecoming, from Nina Simone to Slipknot, and from Beach House to Bach
As the world was changing irreversibly, from 1999 to 2001 Jimmy Eat World went from DIY band done good, to powerhouse name, to international phenomenon – the story of emo itself in microcosm. For Emma Garland, their encapsulation of the subculture's multi-generational range is emo's definitive three album run
As they return from a 26 year studio hiatus sounding fresher than ever, Prolapse speak to Derek Walmsley about the benefits and pitfalls of defying the 90s mainstream, self-sabotage, empathy with the downtrodden and the growing spectre of mortality
When Marie Le Conte moved from Nantes to London she rejected her French identity, along with a teenage infatuation with Phoenix' fourth album. Years later, she reflects on how the "youth and hope and enthusiasm bottled inside ten neat and clean little songs" actually allows her to have a conversation with her past self about life, love and becoming.
After providing Severance with the soundtrack to its "defiant jazz" scene, the endlessly explorative work of legendary multi-instrumentalist Joe McPhee is enjoying a moment of rare mainstream crossover. With a new taster compilation coming this autumn, Stewart Smith provides 10 points of entry into his sprawling discography
Patrick Clarke's guide to the best in strange, left-field and underground traditional music returns, with reviews of 10 essential new releases that take in everything from Irish fairy forts to Japanese rivers, strange parallel worlds and stark protest songs
The Alien Territory Archives: A Collection of Radical, Experimental, & Irrelevant Music from 1970s San Diego
Featuring music by Pauline Oliveros, Harry Partch, Diamanda Galás, David Dunn and others, this compilation of experiments from 1970s Southern California is an essential collection, finds Antonio Poscic
As she releases a new deluxe edition of Like A Ribbon, one of the year's finest albums, boundary-pushing East London rapper, producer and poet John Glacier speaks to Claire Biddles about childhood poems on the failure of humanity, the enduring influence of Hackney, disability, self-advocacy, grime and more
Originally released in the wake of the Fukushima disaster, and centred on the story of real Japanese women who suffered radiation poisoning through their factory work, this newly-reissued collaboration should invite deep reflection when played today, says Jennifer Lucy Allan