Ahead of their appearance at this year's Le Guess Who festival, Heinali & Andriana-Yaroslava Saienko speak to Jennifer Lucy Allan about interpreting the music of Hildegard Von Bingen via Ukrainian folk song in the context of the Russian invasion of their homeland
Stewart Smith looks forward to this year's event by speaking to Neil Charles about a new work inspired by James Baldwin, and highlights sets by Charles Hayward, Linda May Han Oh and Tortoise
At the 69th annual International Festival of Contemporary Music in Venice, performances by the Kamigaku Ensemble, Jasmine Morris and Sunn O))) leave Robert Barry pondering what we mean when we call music 'heavy'
Keith Kahn-Harris celebrates a sometimes glorious, occasionally infuriating, always baffling album that remains entirely of its time
West Virginia Snake Handler Revival “They Shall Take Up the Serpents”
Strychnine, speaking in tongues and ramshackle rockabilly spits forth from West Virginia’s last remaining snake handling church
Stevie Chick talks to Bob Mould and Greg Norton about blazing a trail in hardcore, the uneasy switch from independent to major label and their complex relationship with Grant Hart, plus paving the way for Pixies and Nirvana. Cover portrait courtesy of Greg Norton
At the 69th annual International Festival of Contemporary Music in Venice, performances by the Kamigaku Ensemble, Jasmine Morris and Sunn O))) leave Robert Barry pondering what we mean when we call music 'heavy'
Artists discuss the 13 records that shaped their lives
Stevie Chick talks to Bob Mould and Greg Norton about blazing a trail in hardcore, the uneasy switch from independent to major label and their complex relationship with Grant Hart, plus paving the way for Pixies and Nirvana. Cover portrait courtesy of Greg Norton
From the artists and musicologists who fuelled a fascination with traditional string instruments to the songs that make her cry - via a memorable encounter with Erykah Badu and more, Sudan Archives selects 13 pieces of music that have shaped her life
Thirty-five years after they burned slow and bright, Galaxie 500 remain one of indie rock’s most quietly untouchable constellations. In conversation with Dean Wareham, Naomi Yang and Damon Krukowski, Brian Coney provides ten points of entry to the dimmer recesses of their back catalogue
Keith Kahn-Harris celebrates a sometimes glorious, occasionally infuriating, always baffling album that remains entirely of its time
Daniel Dylan Wray argues that the depiction of Steel City life in a little-known 1995 film (currently being celebrated in an art exhibition and series of screenings) acts as a "companion and contrast piece" to Jarvis Cocker & co's commercial breakthrough, released the same year. Black and white still photography by Bill Stephenson.