A Quietus Interview
Northern Gothic: Jennifer Walton Interviewed
Claire Biddles speaks to the (Northern) English musician about her American influences, about processing intense grief and about working with close friends
Low Culture Podcast
Low Culture Podcast: Brian Eno’s Another Green World
In this month’s Low Culture Podcast, Luke Turner and Jude Rogers celebrate the half century of Brian Eno’s wonderful third solo album
Album of the Week
Informal Proposals: Lotto by They Are Gutting a Body of Water
The Philadelphia group turn shoegazing on its head, replacing its hazy nostalgia with a restless, anxious energy, finds Aydin Khalili
News
Sugar Reunite, Share First New Song in 30 Years
'House Of Dead Memories' arrives alongside news of shows in London and New York featuring the original lineup
Reviews
Review Columns
Baker’s Dozen
Artists discuss the 13 records that shaped their lives
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News
Anniversary
Memories Of Genius: 45 Years On Prince’s Dirty Mind Revisited
John Freeman was not a fan of post-Witness rebirth Prince. Here he recalls happier days with Dirty Mind. The feature was first published in 2010
The Portal
Explore 15 Years Of Cultural Wayfinding
Each week we conjure up a miscellany of tQ writing from the mists of time for you. Most often random. Sometimes themed. Always enthralling.
Explore The Portal
Culture
Film
How Sheffield Film Tales From A Hard City set the Scene for Pulp’s Different Class
Daniel Dylan Wray argues that the depiction of Steel City life in a little-known 1995 film (currently being celebrated in an art exhibition and series of screenings) acts as a "companion and contrast piece" to Jarvis Cocker & co's commercial breakthrough, released the same year. Black and white still photography by Bill Stephenson.
Books
Demolishing the Outmoded Society: Michel Faber on Situationism and the French Rock Underground
Ian Thompson’s new book Synths, Sax & Situationists explores the legacy of soixante-huit through the music of bands like Cheval Fou, Barricade, Maajun and Fille Qui Mousse. It offers a “vivid” account with an “impressive” number of interviews, finds Michel Faber
