New York isn’t dead, says Maxelle Talena in the latest of tQ’s dispatches from the North American underground. It’s being killed. From jumpstyle to hardcore punk, from hip hop to garage rock (for those who can’t afford a garage), she introduces five key artists keeping the flame alive
The film was commissioned by Mary Anne Hobbs and Anna Phoebe as part of this year's Manchester International Festival. You can view it first via tQ below
"I feel so lucky to have been able to work with John on this song," Charli says
Darran Anderson reflects on the work of the great Dennis Potter, an artist who saw the potential of television as medium, and a working class writer so "imaginative in the ways he defied containment"
New York isn’t dead, says Maxelle Talena in the latest of tQ’s dispatches from the North American underground. It’s being killed. From jumpstyle to hardcore punk, from hip hop to garage rock (for those who can’t afford a garage), she introduces five key artists keeping the flame alive
Richard Foster reports back from another stellar edition of the Utrecht Festival, where he finds equal space for spiritual nourishment gibbering wig-outs, courtesy of Valentina Magaletti, upsammy, EarthBall, The Fiery Furnaces and many more
Ahead of her performance at this year's EFG London Jazz Festival, Tanita Tikaram takes Luke Turner through her favourite records, from the soundtrack of her childhood spent in military bases, via formative encounters with OMD and The Beatles, an abiding love of the jazz and soul greats, and more
Stevie Chick talks to Bob Mould and Greg Norton about blazing a trail in hardcore, the uneasy switch from independent to major label and their complex relationship with Grant Hart, plus paving the way for Pixies and Nirvana. Cover portrait courtesy of Greg Norton
From the artists and musicologists who fuelled a fascination with traditional string instruments to the songs that make her cry - via a memorable encounter with Erykah Badu and more, Sudan Archives selects 13 pieces of music that have shaped her life
Hannah Pezzack looks back half a century and finds a crucial album which is pulsating with erotic energy
Blitz: The Club That Created the Eighties, a new book by Robert Elms, returns the reader to a bygone London of squats full of future popstars and cans of Red Stripe to recall the nightclub that birthed Spandau Ballet and Visage and might just have invented the future