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Baker's Dozen

Psychic Hi-Fi: Genesis Breyer P-Orridge's Favourite Albums
Joseph Burnett , January 23rd, 2014 06:53

The Quietus catches up with Genesis Breyer P-Orridge to hear about the albums that forced the hand of h/er record player

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Acid Mother's Temple & The Melting Paraiso U.F.O. - Lord Of The Underground: Vishnu And The Magic Elixir
It was my manager, Ryan Martin, who also does Dais Records, who said, “You don’t know who Acid Mothers Temple are?!” I knew the name, but had never listened to them, so he immediately burned about 30 CDs! We loved it, and then he rang me to tell me they were playing live at The Knitting Factory the following week. He took me, and I was absolutely entranced. The guy at the front, with hair longer than mine that had gone grey, and he was swaying off the rhythm of the music, in perfect time to something in his head. It just blows you away. And then, what’s his name with the guitar, begins with an M…

Makoto Kawabata?

That’s it. He then freaks out, and does the opposite to this Zen thing. He’s everywhere, with his big afro. And you just think: “Fucking hell! That’s what music’s supposed to be like!” Psychedelic, free-form, and when you feel like going nuts, you go nuts. And then at the end the one who was so zen suddenly got his guitar and hung it from a pipe in the ceiling and started swinging it so it started to feedback. And then they just walked off. And we just thought: “After my own heart!” [laughs]. Afterwards, Makoto came up to us and said, “We’re such huge fans of yours, we can’t believe you came to see us. Here’s my guitar!”, and he signed and gave me his guitar neck, which he’d snapped off! He had a t-shirt of Che Guevara that he’d turned into himself, and he wrote lots of stuff in Japanese in a silver pen and gave it to me. We were so proud of that t-shirt. And then my fucking cleaner came in and laundered it! All the writing came off, all I had was the Che.

And everyone’s got a Che t-shirt! It’s interesting because a lot of the bands on your list, including AMT, are ones I discovered through Julian Cope.

Oh yes, of course. He loves all our new stuff too. He’s the same: it’s acid jamming. And it’s my roots. My roots aren’t rhythm & blues, it’s this. And a day comes when you think, “Fuck what the world thinks, I wanna hear what I like to hear, and there’s no-one around me doing it so let’s play our music”. And strangely enough, we’re more successful as a result of having just let go of all preconceptions and deciding to go back to this era. The audiences just go nuts. There you go. Be true to yourself.


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