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Spooling through the world’s best tapes
Among drone-folk trips and joyously messed up noise jazz, Daryl Worthington finds the cassette scene has taken a political turn, whether immersive electronics fighting for free time, nostalgia-busting collages, or colonialism attacking text-sound compositions
Daryl Worthington speaks to a tape label expanding the possibilities of footwork, and reviews some of the most intriguing tapes of the Autumn, from world-building electronics to light triggered synthesis and a trumpet/cello/drums power trio
Daryl Worthington speaks to Constellation Tatsu about a decade of releasing music on tape, and looks at some of the most exciting music on cassette this month, from Paraguayan harp to paranormal cut-ups, four track riots to glistening synths and brutal electronics
We left Joel Gibb of Canadian group The Hidden Cameras and touring partner Owen Pallett alone to answer the kind of questions they wish they were always asked. Owen Pallett portrait by Jeff Bierk, Joel Gibb portrait by Alp Klanten
A classic of film scores, Albinoni’s Adagio isn’t a lost baroque masterpiece; it’s a spoof composed by his biographer in the 1950s. Harmless fun, asks Phil Hebblethwaite, or a savage exposé of classical music’s obsession with authenticity and dead men?