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Mr Agreeable once took a holiday in Southern Bavaria and for reasons that remain unclear has been furious at our Teutonic cousins ever since. Therefore tidings of a new book about German experimental music from the 60s and 70s broke his poached egg...
Mr Agreeable once took a holiday in Southern Bavaria and for reasons that remain unclear has been furious at our Teutonic cousins ever since. Therefore tidings of a new book about German experimental music from the 60s and 70s broke his poached egg...
The Quietus staff are fully occupied moving office today, so we left the website in the capable hands of Mr Agreeable, and suggested he might like to review music from East India Youth, Factory Floor, Sunn O))) and Fat White Family
The Quietus staff are fully occupied moving office today, so we left the website in the capable hands of Mr Agreeable, and suggested he might like to review music from East India Youth, Factory Floor, Sunn O))) and Fat White Family
Our gouty old chum Mr Agreeable rises from his repast in a fit of pique once again, this time enraged by Robin Thicke's sexist videos, Robert Plant joining Twitter, Jack White's restraining order, and Hugh Laurie playing the blues
Our gouty old chum Mr Agreeable rises from his repast in a fit of pique once again, this time enraged by Robin Thicke's sexist videos, Robert Plant joining Twitter, Jack White's restraining order, and Hugh Laurie playing the blues
American composer George Antheil – the self-proclaimed "bad boy of music" – was a pioneer of sound who had a shot at the big time and blew it. But he found a place in history, putting into practice a trailblazing invention by "the most beautiful woman in the world", Hedy Lamarr
The Quietus staff are fully occupied moving office today, so we left the website in the capable hands of Mr Agreeable, and suggested he might like to review music from East India Youth, Factory Floor, Sunn O))) and Fat White Family
Beautifully intimate home recordings made by an Ethiopian nun reflecting on the idea of exile in the 1970s and 1980s, probably never intended to be heard by anyone but herself, have taken on an astounding universality in 2024, says Jakub Knera