40 years on from its release, Wayne Gooderham revisits the second album Richard Thompson recorded in the wake of his split from wife Linda, and finds a subtle, off-kilter – and unfairly overlooked – mid-career masterpiece (and an utterly essential live sister album)
40 years on from its release, Wayne Gooderham revisits the second album Richard Thompson recorded in the wake of his split from wife Linda, and finds a subtle, off-kilter – and unfairly overlooked – mid-career masterpiece (and an utterly essential live sister album)
On the release of a new compilation of Lou Reed’s 1960s compositions at Pickwick Records, Wayne Gooderham surveys the sprawling solo career that was to come later, and picks out ten key tracks that serve as guides to an intimidating post-Velvets discography
On the release of a new compilation of Lou Reed’s 1960s compositions at Pickwick Records, Wayne Gooderham surveys the sprawling solo career that was to come later, and picks out ten key tracks that serve as guides to an intimidating post-Velvets discography
Wayne Gooderham explores the influence of Hubert Selby Jr's transgressive masterpiece on popular music; and on the gender sensibilities of The Smiths, Van Morrison and The Velvet Underground in particular. CW: Some may find the language quoted in this article that describes LGBTQI people & sex workers outmoded or offensive
Wayne Gooderham explores the influence of Hubert Selby Jr's transgressive masterpiece on popular music; and on the gender sensibilities of The Smiths, Van Morrison and The Velvet Underground in particular. CW: Some may find the language quoted in this article that describes LGBTQI people & sex workers outmoded or offensive
Gary Suarez ponders unfulfilled potential and disappointment as he reviews the latest tape from Young Thug, as well as casting his ears over new stuff by Young Scooter, Rich The Kid, Porter Ray, Mick Jenkins, The Celestics, Ty Dolla $ign, King Louie and Euro
Recorded exclusively for Quietus subscribers’ Autumn Equinox release, Wacław Zimpel’s new Train Spotter sees the Polish composer translate the sounds of Warsaw into a sprawling and intense album. He speaks to Julian Marszalek about the record’s creation