W.B. Gooderham
Anniversary
I Can See You Still: Richard Thompson’s Across A Crowded Room at 40
40 years on from its release, Wayne Gooderham revisits the second album Richard Thompson recorded in the wake of his split from wife Linda, and finds a subtle, off-kilter – and unfairly overlooked – mid-career masterpiece (and an utterly essential live sister album)
Anniversary
I Can See You Still: Richard Thompson’s Across A Crowded Room at 40
40 years on from its release, Wayne Gooderham revisits the second album Richard Thompson recorded in the wake of his split from wife Linda, and finds a subtle, off-kilter – and unfairly overlooked – mid-career masterpiece (and an utterly essential live sister album)
Strange World Of...
The Strange World Of… Lou Reed
On the release of a new compilation of Lou Reed’s 1960s compositions at Pickwick Records, Wayne Gooderham surveys the sprawling solo career that was to come later, and picks out ten key tracks that serve as guides to an intimidating post-Velvets discography
Strange World Of...
The Strange World Of… Lou Reed
On the release of a new compilation of Lou Reed’s 1960s compositions at Pickwick Records, Wayne Gooderham surveys the sprawling solo career that was to come later, and picks out ten key tracks that serve as guides to an intimidating post-Velvets discography
Anniversary
Hitting It Sideways: Last Exit To Brooklyn at 60
Wayne Gooderham explores the influence of Hubert Selby Jr's transgressive masterpiece on popular music; and on the gender sensibilities of The Smiths, Van Morrison and The Velvet Underground in particular. CW: Some may find the language quoted in this article that describes LGBTQI people & sex workers outmoded or offensive
Anniversary
Hitting It Sideways: Last Exit To Brooklyn at 60
Wayne Gooderham explores the influence of Hubert Selby Jr's transgressive masterpiece on popular music; and on the gender sensibilities of The Smiths, Van Morrison and The Velvet Underground in particular. CW: Some may find the language quoted in this article that describes LGBTQI people & sex workers outmoded or offensive
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Previously Read
Rock's Backpages
From Rock’s Backpages: Neil Tennant & Brett Anderson On Noel Coward
Today from the Rock's Backpages archive, an archive piece from 1997 where Suede's Brett Anderson and Pet Shop Boy Neil Tennant (with interjections from Vic Reeves) sat down to discuss the legacy of Noel Coward and changing attitudes to sexuality
