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The refurbishment of ancient stories with cutting edge visual effects projects current anxieties without thinking about futuristic storytelling - but Tom Duggins asks what might have changed in the last 14 years since the last big take on an Old English classic
The refurbishment of ancient stories with cutting edge visual effects projects current anxieties without thinking about futuristic storytelling - but Tom Duggins asks what might have changed in the last 14 years since the last big take on an Old English classic
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