Four decades since its release, Toby Manning revisits how Prince's oft-overlooked seventh album dared to draw on 60s psychedelia at the height of 80s hippyphobia – producing the most countercultural sounding work of his career
Four decades since its release, Toby Manning revisits how Prince's oft-overlooked seventh album dared to draw on 60s psychedelia at the height of 80s hippyphobia – producing the most countercultural sounding work of his career
On the fortieth anniversary of Welcome To The Pleasuredome, Toby Manning explores how Frankie Goes To Hollywood's debut was the album that owned 1984, thanks to its ability to inhabit the liminal space between the queer margins and the straight mainstream
On the fortieth anniversary of Welcome To The Pleasuredome, Toby Manning explores how Frankie Goes To Hollywood's debut was the album that owned 1984, thanks to its ability to inhabit the liminal space between the queer margins and the straight mainstream