Vol.1 Brooklyn managing editor Tobias Carroll writes on geographical anxiety, the near-reality of the post-apocalyptic science fiction narrative and the contemporary relationship of distrust between man and nature. (Photograph by Carlos Gutierrez)
Vol.1 Brooklyn managing editor Tobias Carroll writes on geographical anxiety, the near-reality of the post-apocalyptic science fiction narrative and the contemporary relationship of distrust between man and nature. (Photograph by Carlos Gutierrez)
In a satisfyingly forthright Baker's Dozen, Garbage singer Shirley Manson argues for boycotting un-gender-balanced festivals, explores Scottish sonic pride, discovering the finger-banging potential of listening to The Clash and says a life without misery is incomplete. All that plus enthusiastic recollections of music from Nick Cave, Patti Smith, The Stone Roses and more
In the sixteenth full-length recording from Nick Cave & The Bad Seeds, Luke Turner finds perhaps their most perfect musical expression of horror, its realism and sense of inevitability overpowering usual tendencies toward the baroque, and a powerful lesson in empathy